| Record ID | marc_oapen/oapen.marc.utf8.mrc:9682558:1542 |
| Source | marc_oapen |
| Download Link | /show-records/marc_oapen/oapen.marc.utf8.mrc:9682558:1542?format=raw |
LEADER: 01542 am a22003253u 450
001 650084
005 20200108
007 cu#uuu---auuuu
008 200108s|||| xx o 0 u eng |
020 $a9781785336430
020 $a9781785336447
024 7 $a$2doi
041 0 $aeng
042 $adc
072 7 $aGM$2bicssc
100 1 $ade Jong, Steffi$4aut
245 10 $aThe Witness as Object
260 $a$bBerghahn Books$c20180430
520 $aToday more than ever before, the historical witness is now a ?museum object? in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this study scrutinizes for the first time this new global process of ?musealisation? of testimony, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.
536 $aKnowledge Unlatched$c101571$bKU Select 2017: Front list Collection
546 $aEnglish.
650 7 $aMuseology & heritage studies$2bicssc
653 $aHistory
653 $aHolocaust
653 $avideo exhibits
653 $atestimony
653 $apublic memory
653 $apublic history
856 40 $uhttp://www.oapen.org/download?type=document&docid=650084$zAccess full text online
856 40 $uhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode$zCreative Commons License