MARC Record from marc_openlibraries_phillipsacademy

LEADER: 05762cam a2200781 i 4500
001 2615438
003 NOBLE
005 20170601013943.0
008 070914s2007 ksuacd b 001 0 eng
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019 $a294935776$a718143786
020 $a9780700615476$q(alk. paper)
020 $a0700615474$q(alk. paper)
020 $a9780700616510$q(pbk.)
020 $a0700616519$q(pbk.)
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035 $a(OCoLC)153580063$z(OCoLC)294935776$z(OCoLC)718143786
043 $an-us---
050 00 $aML3918.R37$bO33 2007
072 7 $as1ht$2rero
072 7 $as2ss$2rero
082 00 $a782.421649$222
084 $a24.65$2bcl
049 $aNOGA
100 1 $aOgbar, Jeffrey Ogbonna Green,$eauthor.
245 10 $aHip-hop revolution :$bthe culture and politics of rap /$cJeffrey O.G. Ogbar.
264 1 $aLawrence :$bUniversity Press of Kansas,$c[2007]
264 4 $c©2007
300 $aix, 236 pages :$billustrations, portraits, charts ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCultureAmerica
504 $aIncludes bibliographical references (pages 183-223) and index.
505 0 $aThe minstrel reprise : hip-hop and the evolution of the Black image in American popular culture -- "Real niggas" : race, ethnicity, and the construction of authenticity in hip-hop -- Between God and earth : feminism, machismo, and gender in hip-hop music -- Rebels with a cause : gangstas, militants, media, and the contest for hip-hop -- Locked up : police, the prison industrial complex, Black youth, and social control.
520 $a"In the world of hip-hop, "keeping it real" has always been a primary goal--and realness takes on special meaning as rappers mold their images for street cred and increasingly measure authenticity by ghetto-centric notions of "Who's badder?" In this groundbreaking book, Jeffrey O. G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its essential character--that dictates how performers walk, talk, and express themselves artistically and also influences the consumer market. Hip-Hop Revolution is a balanced cultural history that looks past negative stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to reveal its evolving positive role within American society. A writer who's personally encountered many of hip-hop's icons, Ogbar traces hip-hop's rise as a cultural juggernaut, focusing on how it negotiates its own sense of identity. He especially explores the lyrical world of rap as artists struggle to define what realness means in an art where class, race, and gender are central to expressions of authenticity-and how this realness is articulated in a society dominated by gendered and racialized stereotypes. Ogbar also explores problematic black images, including minstrelsy, hip-hop's social milieu, and the artists' own historical and political awareness. Ranging across the rap spectrum from the conscious hip-hop of Mos Def to the gangsta rap of 50 Cent to the "underground" sounds of Jurassic 5 and the Roots, he tracks the ongoing quest for a unique and credible voice to show how complex, contested, and malleable these codes of authenticity are. Most important, Ogbar persuasively challenges widely held notions that hip-hop is socially dangerous--to black youths in particular--by addressing the ways in which rappers critically view the popularity of crime-focused lyrics, the antisocial messages of their peers, and the volatile politics of the word "nigga." Hip-Hop Revolution deftly balances an insider's love of the culture with a scholar's detached critique, exploring popular myths about black educational attainment, civic engagement, crime, and sexuality. By cutting to the bone of a lifestyle that many outsiders find threatening, Ogbar makes hip-hop realer than it's ever been before." -- Publisher's description
520 $aContains Primary Sources.
650 0 $aRap (Music)$xSocial aspects.
650 0 $aRap (Music)$xPolitical aspects.
650 0 $aHip-hop.
650 7 $aHip-hop.$2fast$0(OCoLC)fst00957237
650 7 $aRap (Music)$xPolitical aspects.$2fast$0(OCoLC)fst01089955
650 7 $aRap (Music)$xSocial aspects.$2fast$0(OCoLC)fst01089957
650 17 $aHiphop.$2gtt
650 17 $aSociale aspecten.$2gtt
650 17 $aCulturele aspecten.$2gtt
651 7 $aVerenigde Staten.$2gtt
650 7 $aRap$2gnd$0(DE-588)4303518-8
650 7 $aHip-Hop$2gnd$0(DE-588)4303517-6
650 7 $aGesellschaft$2gnd$0(DE-588)4020588-5
650 7 $aPolitik$2gnd$0(DE-588)4046514-7
651 7 $aUSA$2gnd$0(DE-588)4078704-7
650 7 $ahip-hop$xsociété (milieu humain)$zEtats-Unis$y20e s. (fin)$x21e s. (début)$2rero
650 7 $aculture populaire$xhip-hop$xpolitique$zEtats-Unis$y20e s. (fin)$x21e s. (début)$2rero
650 7 $aRap.$2swd
651 7 $aUSA.$2swd
650 4 $aRAP MUSIC - HISTORY AND CRITICISM.
650 4 $aHIP-HOP MUSIC.
650 4 $aPOPULAR CULTURE.
776 08 $iOnline version:$aOgbar, Jeffrey Ogbonna Green.$tHip-hop revolution.$dLawrence : University Press of Kansas, ©2007$w(OCoLC)734932175
830 0 $aCulture America.
919 4 $a31867007254134
990 $agoral 03-10-2008
990 $anobbc 06-01-2017
905 $unoble
901 $a2615438$bIII$c2615438$tbiblio$soclc
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