| Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:10127369:1811 |
| Source | marc_openlibraries_phillipsacademy |
| Download Link | /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:10127369:1811?format=raw |
LEADER: 01811cam a2200349 a 4500
001 2133132
003 NOBLE
005 20000406131454.0
008 990915s1999 nyuc 001 0 eng
010 $a99048073
020 $a1581150385 (pbk.) :
035 $a(OCoLC)42462936
040 $aDLC$cDLC$dC#P
049 $aPANA
050 00 $aPN1530$b.A48 1999
082 00 $a808.2/45$221
092 $a808.2$bAL79c
100 1 $aAlterman, Glenn,$d1946-
245 10 $aCreating your own monologue / Glenn Alterman.
260 $aNew York :$bAllworth Press,$cc1999.
300 $axiii, 193 p. :$bports. ;$c23 cm.
500 $aIncludes index.
505 0 $a1. A definition of terms. --2. A brief history of the one-person show. --3. A preliminary look. --4. Ways to work, selecting your tools. --5. Preparing. --6. Guidelines for creating short or audition monologues. --7. Fundamentals of all good monologues. --8. Using your acting technique to create character monologues. --9. Starting to write. --10. Beginning your monologue: structure and process. --11. Developing your monologue. --12. Developing your monologue II (the ongoing work). --13. Completing work on your monologue. --14. Preparing to perform. --15. Marketing your solo show. --16. Interviews with monologue writers and performance artists. --17. Interviews with directors of one-person shows.
650 0 $aMonologue$xAuthorship.
650 0 $aPerformance art$xAuthorship.
650 0 $aActing$xAuditions.$0(NOBLE)837
650 0 $aPlaywriting.$0(NOBLE)12759
902 $a120229
919 4 $a31867000864418
998 $b1$c031205$d3$e1$f-$g0
901 $a2133132$bIII$c2133132$tbiblio
852 4 $agaaagpl$bPANO$bPANO$cStacks 3 (in Storage)$j808.2 AL79C$gbook$p31867000864418$y0.00$t1$xnonreference$xholdable$xcirculating$xvisible$zAvailable