MARC Record from marc_openlibraries_phillipsacademy

LEADER: 05780cam a22004814a 4500
001 2128572
003 NOBLE
005 20130823010003.0
008 030519s2003 ctua b 001 0 eng
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035 $a(OCoLC)52295793$z(OCoLC)52946995
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050 00 $aGV1619$b.R49 2003
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049 $aNOGA
100 1 $aReynolds, Nancy,$d1938-
245 10 $aNo fixed points :$bdance in the twentieth century /$cNancy Reynolds and Malcolm McCormick.
246 3 $aDance in the twentieth century
260 $aNew Haven :$bYale University Press,$cc2003.
300 $axv, 907 p. :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. 745-849) and index.
505 00 $g1.$tNew dance: America's pioneers (1900-1940) :$tVaudeville and spectacle extravaganza ;$tExercise and dress reform ;$tFuller, Duncan, Denishawn --$g2.$tExperimentalism in ballet: Diaghilev, Fokine, and the Russian legacy (1900-1930s) :$tEnd of the Petipa era ; Diaghilev ;$tFokine ;$tNijinsky ;$tMassine, Nijinska, Balanchine ;$tOther Russians in the West ;$tWorldwide influence of later Ballets Russes --$g3.$tModernism revealed: Ausdruckstanz, the dance of expression (1910-1945) :$tLaban ;$tWigman ;$tSchlemmer and the Bauhaus ;$tSolo concert dancers ;$tKreutzberg and Georgi ;$tJooss ;$tAusdruckstanz and National Socialism --$g4.$tBallet comes to America (1900-1940s) :$tEarly visitors ;$tRussians in America ;$tBallet Russe tours ;$tRegionalism, Americana themes ;$tUnaffiliated Americans --$g5.$tAmerica after Denishawn: the heroic age of modern dance (1920-1940s) :$tModern dance defined ;$tRole of John Martin ;$tGraham, Humphrey, Weidman, Holm ;$tPolitical themes ;$tBennington summer dance program --$g6.$tBallet in Western Europe: the rise of national traditions (1900-1960s) :$tExpatriate Russians in the West ;$tRambert, early Tudor, de Valois, Ashton and English Classicism, Fonteyn, early Cranko, early MacMillan, Festival Ballet ;$tHegemony of the Paris Opéra, Lifar, de Cuevas, Kochno, Petit, Charrat ;$tDenmark's Bournonville legacy, Lander --$g7.$tA world apart: dance in Russia and the Soviet Union (1900-1960s) :$tInnovation in Moscow ;$tThe Russian Revolution ;$tThe experimental 1920s ;$tSocialist realism, the drambalet ;$tLimited thaw --$g8.$tBallet in America comes of age (1935-1965) :$tBalanchine in America ;$tAmerican Ballet Theatre ;$tAmerican Ballet Russe ;$tNew York City Ballet ;$tBallets: U.S.A. ;$tFord Foundation grants ;$tEarly Joffrey --
505 00 $g9.$tModern dance: the second generation (1935-1980s) :$tSokolow, Lang ;$tKing, Shearer ;$tLimón ;$tHorton ;$tDunham, Primus ; Ailey --$g10.$tSchism and transition: reinterpreting modern dance (1940s-2000) :$tCunningham ;$tHawkins ;$tNikolais, Louis ; Taylor ;$tWaring --$g11.$tBeyond the boundaries: postmodernism (1960-1980) :$tPrecursors ;$tRobert Dunn and the Judson Church ;$tNew spaces ;$tHalprin, Rainer ;$tPaxton and contact improvisation ;$tBrown ;$tMonk ;$tChilds ;$tEarly Tharp --$g12.$tInternationalism: the merging of the disciplines (1950-2000) :$tMerging before 1950 ;$tModern dance comes to Europe ;$tCullberg, Butler, Tetley ;$tBéjart ;$tvan Manen, van Dantzig, Kylián ;$tNeumeier, Forsythe ;$tRambert as a modern company, Alston ;$tFlindt ;$tAmerican "internationalists" ;$tArpino, Feld, Lubovich, Goh ;$tPrime Tharp ;$tCrossover ballets --$g13.$tBallet rising (1960-1990s) :$tThe ballet boom ;$tGovernment funding ;$tNureyev, Makarova, Baryshnikov ;$tThe revival of full-evening classes ;$tCranko, MacMillan ;$tThe dominance of Balanchine --$g14.$tBallet's high tide (1960s-2000) :$tNew York City Ballet and American Ballet Theatre ;$tThe Joffrey, Dance Theatre of Harlem, Harkness, Les Ballets Trockadero ;$tRegional Ballet in America ;$tCanada ;$tGreat Britain ;$tFrance ;$tGermany ;$tThe Soviet Union and the new Russia ;$tDenmark, Switzerland, Spain --$g15.$tLate modernism: pluralism and the ascendancy of style (1960s-2000) :$tThe global vision, "new postmodernism" ;$tWilson, Pilobolus, Bill T. Jones/Arnie Zane, Garth Fagan, new physical dance, Mark Morris ;$tCanada ;$tGermany ;$tFrance ;$tBelgium ;$tScandinavia ;$tLondon Contemporary Dance Theatre, Alston, British New Dance ;$tButoh --$g16.$tMusical theater in America (1900-2000) :$tMinstrelsy, tap, chorus lines, operetta, ballroom ;$tZiegfeld, Cohan, Miller, black musicals, Princess Theatre musicals ;$tThe Golden Age, 1930-1980 ;$tReemergence of tap ;$tRevival fever --$g17.$tDance in the movies (1900-2000) :$tThe silents ;$tThe talkies ;$tBerkeley ;$tAstaire ;$tBalanchine ;$tThe Golden Age of the Hollywood musical, 1942-1957 ;$tBroadway shows on film ;$tDecline of the studio system ;$tThe backstage world of ballet.
520 $aChronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America.
650 0 $aDance$xHistory$y20th century.
650 0 $aBallet$xHistory$y20th century.
650 0 $aModern dance$xHistory$y20th century.
650 17 $aDans.$2gtt
650 07 $aTanz.$2swd
700 1 $aMcCormick, Malcolm.
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