MARC Record from marc_openlibraries_phillipsacademy

LEADER: 04240cam a2200529 i 4500
001 4006743
003 NOBLE
005 20170501124918.0
008 160309s2016 mdu b 001 0 eng
010 $a 2016011898
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020 $a9781498531788$qhardcover$qalkaline paper
020 $a1498531784$qhardcover$qalkaline paper
020 $a9781498531801$qpaperback$qalkaline paper
020 $a1498531806$qpaperback$qalkaline paper
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050 00 $aML3917.U6$bR33 2016
082 00 $a781.5/990973$223
049 $aNOGA
100 1 $aRabaka, Reiland,$d1972-$eauthor.
245 10 $aCivil rights music :$bthe soundtracks of the civil rights movement /$cReiland Rabaka.
264 1 $aLanham :$bLexington Books,$c[2016]
300 $axiv, 257 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aThe sociology of civil rights music -- The musicology of the civil rights movement -- Gospel and the civil rights movement -- Rhythm & blues and the civil rights movement -- Rock & roll and the civil rights movement.
520 $aWhile there have been a number of studies that have explored African American "movement culture" and African American "movement politics," rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American "movement music," and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. "Movement music" experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages--some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well [Publisher description]
520 $aContains primary source material.
650 0 $aPopular music$xPolitical aspects$zUnited States$xHistory$y20th century.
650 0 $aCivil rights movements$zUnited States$xHistory$y20th century.
650 7 $aCivil rights movements.$2fast$0(OCoLC)fst00862708
650 7 $aPopular music$xPolitical aspects.$2fast$0(OCoLC)fst01071452
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aMusik.$0(DE-588)4040802-4$2gnd
650 7 $aBürgerrechtsbewegung.$0(DE-588)4146878-8$2gnd
651 7 $aUSA.$0(DE-588)4078704-7$2gnd
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
919 4 $a31867007253490
990 $anobbc 05-01-2017
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