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MARC Record from marc_openlibraries_phillipsacademy

Record ID marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:20829912:5929
Source marc_openlibraries_phillipsacademy
Download Link /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:20829912:5929?format=raw

LEADER: 05929cam a22005894a 4500
001 2323215
003 NOBLE
005 20150302102550.0
008 040830s2005 enka b 001 0 eng
010 $a 2004058679
035 $a(OCoLC)56421963
040 $aDLC$beng$cDLC$dOCL$dBAKER$dNLGGC$dBTCTA$dYDXCP$dIG#$dOCLCQ$dYUS$dDEBSZ$dBNM$dILU$dMNW$dOCLCO$dOCLCF$dOCLCO$dOCLCQ$dNOG
019 $a57566668$a862360666
020 $a0333629051$q(pbk.)
020 $a9780333629055$q(pbk.)
020 $a0333629043
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035 $a(OCoLC)56421963$z(OCoLC)57566668$z(OCoLC)862360666
042 $apcc
043 $ae-it---
050 00 $aDG445$b.M27 2005
082 00 $a945/.05$222
084 $a15.70$2bcl
049 $aNOGA
100 1 $aMackenney, Richard.
245 10 $aRenaissances :$bthe cultures of Italy, c. 1300-c. 1600 /$cRichard Mackenney.
260 $aHoundmills, Basingstoke, Hampshire ;$aNew York, N.Y. :$bPalgrave Macmillan,$c2005.
300 $axvi, 302 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aEuropean studies series
504 $aIncludes bibliographical references (pages 268-282) and index.
505 0 $a1. Deconstructions. The temptations of antiquity -- 'Italian Renaissance'/'Renaissance Italy' -- 'Medieval' and 'modern' -- 'Art' and 'science' -- 'Italian' or 'Florentine' -- 'Individualism' and attribution -- Whose Renaissance? -- 2. Reconstructions. Chronologies -- Medieval Italies, c.1000-c.1350 -- St Francis and Dante -- The absent papacy, 1305-1420 -- The Black Death -- Civic culture in Florence, 1378-1434 -- Courtly culture in the later fifteenth century -- The Italian Wars, 1494-1530 -- Religious renewals -- 3. Contexts I : cities -- The dangers of determinism -- Rome: place and idea -- Siena: late medieval or early Renaissance? -- Florence: city of movement -- Venice: La Serenissima -- Absentees? -- 4. Contexts II : courts -- Communes-signori-princes -- The Medici -- The d'Estes of Ferrara -- Urbino: the Montefeltro -- The Gonzaga of Mantua -- Milan: the Visconti and the Sforza -- The court of Naples -- The Carrara of Padua -- Malatesta? Bentivoglio? Della Scala? -- The popes in Avignon and Rome -- 5. Sponsors -- Patronage: profane and sacred -- The Scrovegni Chapel: the motives of a patron -- Florentine competitions: patrons, artists and messages -- Michelangelo, Julius II -- and Paul III -- The Venetian state and the fashioning of history -- 6. Time travellers -- The clash of value systems -- The shadow of Augustine -- Petrarch -- Civic humanism -- Neo-neoplatonism -- Anti-Christian humanism -- Postscript -- 7. Space travellers -- Images for Christians -- Artistic calculation -- Grace. love -- and blindness -- Blind faith? -- Venice and the Catholic revival -- The dispersal of shadows -- 8. Soundscapes -- New voices -- Regions, dialects and vernaculars -- Intrata: il Trecento (entry: the fourteenth century) -- Intermezzo: il Quattrocento (intermission: the fifteenth century) -- Allegro non troppo: il Cinquecento (merry not too much: the sixteenthh century) -- Cadenza: il Primo Seicento (close: the early seventeenth century) -- 9. Legacies -- The Renaissance in Europe -- Shakespeare and antiquity -- Shakespeare and the Middle Ages -- Shakespeare and his contemporaries.
520 $aThe Italian Renaissance retains its extraordinary hold on the historical imagination. What began as arediscoveryy of the culture and values of the ancient world came to invent our notion of the 'Middle Ages' and continues to pose sharp and searching questions as to what we regard as the beginning of the 'modern' era. However, what was 'the Italian Renaissance'? Was there a single phenomenonn that affected the entire peninsula and had meaning for all or even most of its people from the age of the painter Giotto in the fourteenth century to that of the astronomer Galileo in the seventeenth? This richly illustrated book stresses the plurality of the 'cultures of Italy' and the diversity of the Italian Renaissance: the enormously varied forms of cultural achievement and the different circumstances that prevailed in various contexts, both urban and courtly. Richard Mckenney examines why the great revival did not touch the whole of Italy or the majority of its people and argues that, while the wonder and joy of classical rebirth remained vivid, there was also a dimension of anxiety, especially in the challenge that ancient cultures posed to Christian belief. Mackenney also maintains that, in an Italian context, the triumph of artistic and literary diversity and the tragedy of political disunity went hand in hand. Covering art, literature, and music, and providing an exploration of the political and social contexts, this is an essential guide to one of the most fascinating periods of Italian history.
520 $aCovering art, literature, and music, and providing an exploration of the political and social contexts, this is an essential guide to one of the most fascinating periods of Italian history.
651 0 $aItaly$xCivilization$y1268-1559.
650 0 $aRenaissance$zItaly.
650 7 $aRenacimiento$zItalia.$2embne
651 7 $aItalia$xCivilización.$2embne
650 7 $aCivilization.$2fast$0(OCoLC)fst00862898
650 7 $aRenaissance.$2fast$0(OCoLC)fst01094518
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
650 17 $aCultuurgeschiedenis.$2gtt
650 17 $aRenaissance.$2gtt
648 7 $a1268 - 1559$2fast
830 0 $aEuropean studies series (Palgrave Macmillan (Firm))
919 4 $a31867001372619
990 $anobmi 09-07-2005
990 $anobbc 03-02-2015
901 $a2323215$bIII$c2323215$tbiblio
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