MARC Record from marc_openlibraries_phillipsacademy

LEADER: 03206cam a22004214a 4500
001 2371836
003 NOBLE
005 20060515085440.0
008 050822s2006 caua b s001 0 eng
010 $a2005023951
020 $a0520241878 (cloth : alk. paper)
020 $a0520241886 (pbk. : alk. paper)
035 $a(OCoLC)61362718
040 $aDLC$cDLC$dBAKER$dUKM$dC#P$dMRK
042 $apcc
043 $an-us---
049 $aMRKK
050 00 $aN72.S6$bS36 2006
082 00 $a701/.03$222
245 00 $aSeeing high & low :$brepresenting social conflict in American visual culture /$cedited by Patricia Johnston.
246 3 $aSeeing high and low
260 $aBerkeley, CA :$bUniversity of California Press,$cc2006.
300 $avii, 308 p. :$bill. ;$c24 cm.
500 $a"An Ahmansona-Murphy fine arts book"--P. [4] of cover.
504 $aIncludes bibliographical references and index.
505 0 $tEducating for distinction? Art, hierarchy, and Charles Willson Peale's Staircase group /$rDavid Steinberg --$tSamuel F.B. Morse's Gallery of the Louvre: social tensions in an ideal world /$rPatricia Johnston --$tCartoons in color: David Gilmour Blythe's very uncivil war /$rSarah Burns --$t"Ain't I a woman?": Anne Whitney, Edmonia Lewis, and the iconography of emancipation /$rM elissa Dabakis --$tCultural racism: resistance and accommodation in the Civil War art of Eastman Johnson and Thomas Nast /$rPatricia Hills --$tCuster's last stand: high-low on old and new frontiers /$rPatricia M. Burnham --$tReenvisioning "This well-wooded land" /$rJanice Simon --$tAt home with Mona Lisa: consumers and commercial visual culture, 1880-1920 /$rKatharine Martinez --$tGustav Stickley's designs for the home: an activist aesthetic for the upwardly mobile /$rArlette Klaric --$tHandicraft, Native American art, and modern Indian identity /$rElizabeth Hutchinson --$tAlone on the sidewalks of New York: Alfred Stieglitz's photography, 1892-1913 /$rJoanne Lukitsh --$tThe colors of modernism: Georgia O'Keeffe, Cheney brothers, and the relationship between art and industry in the 1920s /$rRegina Lee Blaszczyk --$tThe invisibility of race in modernist representation: Marsden Hartley's North Atlantic folk /$rDonna M. Cassidy --$tCaricaturing the Gringo tourist: Diego Rivera's Folkloric and touristic Mexico and Miguel Covarrubias's Sunday afternoon in Xochimilco /$rJeffrey Belnap --$tThe Norman Rockwell Museum and the representation of social conflict /$rAlan Wallach.
520 $aIncludes sections on The Battle of Little Bighorn, David Gilmour Blythe, Cheney Brothers Silk Company, Marsden Hartley, High Art, Samuel F.B. Morse, Thomas Nast, Gustav Stickley, Alfred Stieglitz
650 0 $aArt and society$zUnited States.
650 0 $aSocial conflict in art.
650 0 $aValues.$0(NOBLE)16830
700 1 $aJohnston, Patricia A.,$d1954-
902 $a120516
919 4 $a31867003010175
998 $b0$c060515$dv$e1$f-$g0
990 $amerjg 05-15-2006
994 $aC0$bMRK
901 $a2371836$bIII$c2371836$tbiblio
852 4 $agaaagpl$bPANO$bPANO$cStacks 3 (in Storage)$j701 SE36J$gbook$p31867003010175$y29.95$t1$xnonreference$xholdable$xcirculating$xvisible$zAvailable