MARC Record from marc_openlibraries_phillipsacademy

LEADER: 01857cam a2200349 a 4500
001 2137180
003 NOBLE
005 20020117130242.0
008 950816s1996 ctuaf b 001 0 eng
010 $a95020558
020 $a0313296847 (alk. paper) :
035 $a(OCoLC)33079706
040 $aDLC$cDLC$dUKM$dOCL
043 $an-us---
049 $aPANA
050 00 $aPN1590.B53$bG68 1996
082 00 $a791/.08996073$220
092 $a791$bG71d
100 1 $aGottschild, Brenda Dixon.
245 10 $aDigging the Africanist presence in American performance :$bdance and other contexts /$cBrenda Dixon Gottschild.
260 $aWestport, Conn. :$bGreenwood Press,$c1996.
300 $axvi, 189 p., [18] p. of plates :$bill. ;$c24 cm.
440 0 $aContributions in Afro-American and African studies,$x0069-9624 ;$vno. 179
504 $aIncludes bibliographical references (p. [171]-178) and index.
505 0 $a1. Up from under: the Africanist presence. --2. First premises of an Africanist aesthetic. --3. Don't take away my Picasso: cultural borrowing and the Afro-Euro-American triangle. --4. Barefoot and hot, sneakered and cool: Africanist subtexts in modern and postmodern dance. --5. Stripping the emperor: George Balanchine and the Americanization of ballet. --6. Past imperfect: performance, power, and politics on the minstrel stage. --7. Dance and theater in a multicultural context: who stole the soul, who takes the "rap", or free to be you and me?
650 0 $aAfrican Americans in the performing arts.$0(NOBLE)1104
650 0 $aAfrican American dance.
902 $a120229
919 4 $a31867000812581
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901 $a2137180$bIII$c2137180$tbiblio
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