| Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:4026797:1845 |
| Source | marc_openlibraries_phillipsacademy |
| Download Link | /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:4026797:1845?format=raw |
LEADER: 01845cam a22003974a 4500
001 2375554
003 NOBLE
005 20060626010710.0
008 040203s2004 ctuao b 001 0 eng
010 $a2004002268
020 $a0300105762 (cl : alk. paper)
035 $a(OCoLC)54372686
040 $aDLC$cDLC$dBAKER$dNLGGC$dUWC$dNOG
042 $apcc
043 $ae-uk---
049 $aNOGA
050 00 $aN6768$b.M26 2004
082 00 $a709/.41/09041$222
100 1 $aMalvern, Sue,$d1951-
245 10 $aModern art, Britain, and the Great War :$bwitnessing, testimony, and remembrance /$cSue Malvern.
260 $aNew Haven ; London :$bPublished for The Paul Mellon Centre for Studies in British Art by Yale University Press,$cc2004.
300 $avii, 233 p. :$bill., photos ;$c28 cm.
504 $aIncludes bibliographical references and index.
505 0 $aArt, propaganda, and persuasion at Wellington House -- Realism, representation, and censorship -- Making history : the British War Memorials Committee -- Modern art, modern war, and the impossible project of history painting -- Post-War modernisms : William Roberts, David Bomberg, Wyndham Lewis, and C.R.W. Nevinson -- Redeeming the War : "Englishness" and remembrance.
650 0 $aArt, British$y20th century.$0(NOBLE)22428
650 0 $aWorld War, 1914-1918$xArt and the war.
650 0 $aArt and war.$0(NOBLE)1931
650 0 $aPropaganda in art.
710 2 $aPaul Mellon Centre for Studies in British Art.$0(NOBLE)43774
902 $a120229
919 4 $a31867003003394
998 $b1$c060626$d0$e1$f-$g0
994 $aC0$bNOG
990 $anobll 06-26-2006
901 $a2375554$bIII$c2375554$tbiblio
852 4 $agaaagpl$bPANO$bPANO$cStacks 3 (in Storage)$j709.41 M22MO$gbook$p31867003003394$y50.00$t1$xnonreference$xholdable$xcirculating$xvisible$zAvailable