Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:50278110:2081 |
Source | marc_openlibraries_phillipsacademy |
Download Link | /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:50278110:2081?format=raw |
LEADER: 02081cam a2200397 a 4500
001 2621170
003 NOBLE
005 20080307102331.0
008 070815s2007 enka b 001 0 eng
020 $a9780521872997 (hbk.)
020 $a0521872995 (hbk.)
035 $a(OCoLC)154682273
040 $aUKM$cUKM$dBTCTA$dBAKER$dBWKUK$dYDXCP$dNOG
042 $aukscp
049 $aNOGA
050 4 $aPN2601$b.R49 2007
082 04 $a792.0941509041$222
100 1 $aReynolds, Paige.
245 10 $aModernism, drama, and the audience for Irish spectacle /$cPaige Reynolds.
260 $aCambridge :$bCambridge University Press,$c2007.
300 $aix, 257 p. :$bill. ;$c24 cm.
500 $aIllustrations: Cartoon, "Passenger to Ireland," Dublin Opinion 3:27 (May 1924) Courtesy of the National Library of Ireland and Cartoon: " Tailreann Games Swimming Competition" Dublin Opinion 3:30 (August 1924) Courtesy of the National Library of Ireland.
504 $aIncludes bibliographical references (p. 235-252) and index.
505 0 $aThe audiences for Irish modernism -- Audience allegory: the premiere of Synge's The Playboy of the Western World -- Subnational sentiment: Dublin Suffrage Week and the uses of Ibsen -- Modernist martyrdom: scripting the death of Terence MacSwiney -- Fictions in the Free State: the 1924 Tailteann Games -- Coda: The irreducible audience: Irish modernism and the Plough and the Stars riots -- Notes -- Bibliography -- Index.
650 0 $aTheater and society$zIreland.
650 0 $aLiterature and society$zIreland.
650 0 $aIrish drama$xHistory and criticism.
651 0 $aIreland$xCivilization$y20th century.$0(NOBLE)24421
651 0 $aIreland$xSocial conditions$y20th century.$0(NOBLE)24450
902 $a120229
919 4 $a31867005060954
998 $b1$c080307$d0$e1$f-$g0
990 $abc 03-07-2008
994 $aC0$bNOG
901 $a2621170$bIII$c2621170$tbiblio
852 4 $agaaagpl$bPANO$bPANO$cStacks 3 (in Storage)$j792.0941 R35MO$gbook$p31867005060954$y95.00$t1$xnonreference$xholdable$xcirculating$xvisible$zAvailable