Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:51704023:1872 |
Source | marc_openlibraries_phillipsacademy |
Download Link | /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:51704023:1872?format=raw |
LEADER: 01872nam a22003258a 4500
001 2654948
003 NOBLE
005 20081110090616.0
008 070704s2007 enka 001 0 eng
020 $a9781861269607 (pbk.)
020 $a1861269609 (pbk.)
035 $a(OCoLC)155688531
040 $aUKM$cUKM$dBTCTA$dBAKER$dYDXCP$dNOG
049 $aNOGA
082 04 $a791.53$222
100 1 $aBicât, Tina.
245 10 $aPuppets and performing objects :$ba practical guide /$cTina Bicât.
260 $aRamsbury :$bCrowood,$c2007.
300 $a144 p. ;$bill. ;$ccm.
500 $aIncludes index.
505 0 $aThe conventions of puppet theatre -- The conventions of object theatre -- Visual effects, shadows, scale and sound -- Scripts and stimuli -- Production decisions -- Rehearsals -- The work of the designer/maker -- The work of the animator -- Work for children -- Puppets and objects in the community, teaching and therapy.
520 $aThis fascinating study reveals a world where a suitcase can comment on politics and a marionette can play Faust. It answers the question of why directors, writers, and producers use puppets and objects, investigating their different styles of performance, the distinction between props and performing objects, and how actors learn to animate. Ideal for anyone participating in or directing productions involving puppets or inanimate objects, this book paints a vivid picture of one of the most entertaining forms of theater.
650 0 $aPuppet theater.$0(NOBLE)19348
902 $a120229
919 4 $a31867005081406
998 $b1$c081110$d0$e1$f-$g0
994 $aC0$bNOG
990 $anobbc 11-10-2008
901 $a2654948$bIII$c2654948$tbiblio$sSystem Local
852 4 $agaaagpl$bPANO$bPANO$cStacks 3 (in Storage)$j791.5 B48PU$gbook$p31867005081406$y34.95$t1$xnonreference$xholdable$xcirculating$xvisible$zAvailable