| Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:6515845:3963 |
| Source | marc_openlibraries_phillipsacademy |
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LEADER: 03963cam a2200709 a 4500
001 1320755
003 NOBLE
005 20151005131525.0
008 850313s1986 ctua b 001 0 eng
010 $a 85002357
035 $a(OCoLC)11866964
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050 00 $aNX650.H6$bS27 1986
060 0 $aHQ 15
082 00 $a700/.94$219
084 $a20.70$2bcl
049 $aNOGA
100 1 $aSaslow, James M.
245 10 $aGanymede in the Renaissance :$bhomosexuality in art and society /$cJames M. Saslow.
260 $aNew Haven :$bYale University Press,$c©1986.
300 $axvi, 265 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aRevision of the author's thesis (Ph. D.)--Columbia University.
504 $aIncludes bibliographical references (pages 245-258) and index.
505 0 $aMichelangelo : myth as personal imagery -- Correggio at Mantua : libertinism and gender ambiguity in norther Italy -- Parmigianino and Giulio Romano : Ganymede's associations with Apollo, Hebe, and Cupid -- Benvenuto Cellini : the libertine and the counter-reformation -- The seventeenth century and diffusion to the north -- Conclusion.
520 $aContains primary source documents.
520 $aJames M. Saslow examines images of Ganymede, the young Trojan boy abducted by Jupiter to serve as his cupbearer and beloved, created by famous artists of the Renaissance and integrates the with contemporary literary texts, social accounts, and legal documents to provide the first detailed study of homosexuality in the period. Saslow focuses on portrayals of Ganymede by Michelangelo, Correggio, Parmigianino, Giulio Romano, and Cellini. He examines the Ganymedes of Michelangelo and Cellini psychoanalytically to find what they reveal of each artist's feelings about homosexuality, and he discusses the other Ganymedes in light of the social and cultural aspecs of the period. Saslow shows that there was a continuous tension between pagan and Christian notions of love and sexuality and that, although tolerance for homosexuality increased during the early Renaissance, it declined during the moral and religious crises of the Counter-Reformation.
650 0 $aHomosexuality in art.
650 0 $aArts, Renaissance$zItaly.
650 0 $aArts, Italian.
650 0 $aArts, European.
650 0 $aHomosexuality$xSocial aspects$zItaly.
650 0 $aHomosexuality$xSocial aspects$zEurope.
650 7 $aArts, European.$2fast$0(OCoLC)fst00818004
650 7 $aArts, Italian.$2fast$0(OCoLC)fst00818082
650 7 $aArts, Renaissance.$2fast$0(OCoLC)fst00818196
650 7 $aHomosexuality in art.$2fast$0(OCoLC)fst00959823
650 7 $aHomosexuality$xSocial aspects.$2fast$0(OCoLC)fst00959809
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
650 17 $aBeeldende kunsten.$2gtt
650 17 $aHomoseksualiteit.$2gtt
650 17 $aMythologie.$2gtt
650 17 $aGanymedes (mythologie)$2gtt
650 17 $aRenaissance.$2gtt
653 $aItalian visual arts, 1500-1600.$aSpecial subjects: Homosexuality - Critical studies
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990 $anobbc 10-05-2015
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901 $a1320755$bIII$c1320755$tbiblio
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