MARC Record from marc_openlibraries_phillipsacademy

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050 00 $aPN2062$b.S7313 1967
082 00 $a792/.028
100 1 $aStanislavsky, Konstantin,$d1863-1938.$0(NOBLE)36826
245 13 $aAn actor prepares /$cby Constantin Stanislavski ; translated by Elizabeth Reynolds Hapgood ; introduction by John Gielgud.
260 $aNew York :$bTheatre Arts Books,$c1967, c1948.
300 $axvi, 295 p. ;$c21 cm.
500 $aTranslated from the Russian.
500 $aPart 1. An Actor Prepares. Part 2. Building a Character. Part 3. Creating a Role.
505 0 $aThe first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious.
520 $aThis work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself.
650 0 $aMethod acting.$0(NOBLE)15594
650 0 $aActing$xStudy and teaching.$0(NOBLE)838
902 $a120229
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