MARC Record from marc_openlibraries_phillipsacademy

LEADER: 05961cam a2200757 i 4500
001 2391783
003 NOBLE
005 20170717123435.0
008 061222t20062006nyua 6b 001 0 eng d
010 $a 2006287667
035 $a(OCoLC)71225478
040 $aBKL$beng$cDLC$dBKL$dOCO$dBAKER$dCPL$dVP@$dEHH$dBTCTA$dYDXCP$dXL4$dMNY$dOCLCG$dJBO$dCQU$dZE3$dBNO$dZWZ$dDEBBG$dOCL$dGK8$dOCL$dCRH$dBDX$dOCLCA$dOCLCF$dOCLCO$dOCLCQ$dJP3$dOCLCQ$dS3O$dOCLCQ$dMQ9$dCHY$dZLM$dOCLCO$dTDS$dOCLCO$dXFF$dOCLCO$dLAL$dKE7$dOCLCO$dOCLCA$dOCLCQ$dOCLCO$dOCL$dHN#$dOCLCO$dTAJ$dNOG
019 $a71338724$a176884650$a493804243$a690248678$a876545552$a950469067
020 $a9780060780944$q(pbk.)
020 $a0060780940$q(pbk.)
020 $a9781435261945$q(Paw Prints)
020 $a1435261941$q(Paw Prints)
020 $a9781417763573
020 $a1417763574
024 3 $a9780060780944
035 $a(OCoLC)71225478$z(OCoLC)71338724$z(OCoLC)176884650$z(OCoLC)493804243$z(OCoLC)690248678$z(OCoLC)876545552$z(OCoLC)950469067
042 $alccopycat
050 00 $aPN6710$b.M3325 2006
050 14 $aNC1764$b.M335 2006
082 04 $a741.51$222
084 $aEC 7120$2rvk
084 $aLH 71410$2rvk
049 $aNOGA
100 1 $aMcCloud, Scott,$d1960-$eauthor.
245 10 $aMaking comics :$bstorytelling secrets of comics, manga and graphic novels /$cScott McCloud.
250 $a1st ed.
264 1 $aNew York :$bHarper,$c[2006]
264 4 $c©2006
300 $a264 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 256-257) and index.
505 0 $aIntroduction -- Writing with pictures -- Clarity and persuasion -- The five choices -- Choice of moment -- Connecting the dots -- The six transitions -- Choice of frame -- Distance, angle and P.O.V. -- Establishing shots -- The reader's camera -- Choice of image -- Choice of word -- Choice of flow -- Directing the eye -- Beyond the page -- Five choices checklist -- Working methods -- Panel-by-panel improv -- Clarity versus intensity -- Intensity versus persuasion -- Notes and exercises -- Stories for humans -- It takes two ... -- Symmetry and recognition -- 3 steps to believable characters -- Character design -- Inner life -- Visual distinction -- Expressive traits -- Facial expressions -- Emotional communication -- Kinds of expressions -- The emotional primaries -- Mixing and matching -- Physical states -- Direct, specialized signals -- Facial muscles -- Drawing expressions -- Body language -- Differences from expression -- Types of relationships -- Elevation and status -- Distance and relationship -- Imbalance and discontent -- Other relationships -- Hand gestures -- Figure drawing -- Anatomy suggestions -- The importance of gesture -- Body language in action -- Digging deeper -- Notes and exercises -- The power of words -- Balance and integration -- The 7 types of W/P combination -- Word-specific -- Picture-specific -- Duo-specific -- Intersecting -- Interdependent -- Parallel -- Montage -- Using the 7 types -- Word balloons -- The "desperation device" -- Balloon to mood matching -- Emphasis and cases -- Sound effects -- Writer/artist collaborations -- Picking your story -- Heritage and strengths -- Notes and exercises -- World building -- Being there -- Revisiting the establishing shot -- Regional variations -- Comic strip minimalism -- Comics about place -- Perspective -- Non-western alternatives -- Western perspective -- Perspective and comics -- Improvisation -- Reference and research -- Not just "backgrounds" -- Notes and exercises -- Tools, techniques and technology -- The only essential tools -- Drawing on the cheap -- Traditional tools -- The basic equipment -- Brushes, pens and markers -- Traditional lettering -- Digital transitions/this book -- Digital to print -- Digital to screen -- Lettering and fonts -- Equipment -- Publishing alternatives -- Who's the boss? -- Notes -- Your place in comics -- Discovering your style -- Understanding manga -- Understanding genres -- Understanding comics culture -- Wandering far and wide -- Notes -- Making comics -- Nice work if you can get it -- Old and new markets -- Your turn -- "The blank page" -- Notes -- Bibliography/suggested reading -- Art credits -- Index.
520 $aPresents instructions for aspiring cartoonists on the art form's key techniques, sharing concise and accessible guidelines on such principles as capturing the human condition through words and images in a minimalist style.
650 0 $aComic books, strips, etc$xAuthorship.
650 7 $aComic books, strips, etc.$xAuthorship.$2fast$0(OCoLC)fst00869148
650 7 $aComic$2gnd$0(DE-588)4010427-8
650 7 $aZeichnen$2gnd$0(DE-588)4067453-8
650 7 $aMangas$xTechnique.$2ram
650 7 $aDessinateurs de bandes dessinées.$2ram
650 7 $aBandes dessinées$xTechnique.$2ram
650 7 $aSerier$xallmänna.$2sao
650 7 $aSerier$y1900-talet.$2sao
650 7 $aTeckning.$2sao
650 7 $aTecknade serier$vpraktiska handledningar.$2sao
650 7 $aComic books, strips, etc.$xTechnique$vComic books, strips, etc.$2sears
650 7 $aCartooning$xTechnique$vComic books, strips, etc.$2sears
650 7 $aComic books, strips, etc.$xHistory and criticism$vComic books, strips, etc.$2sears
650 07 $aComic.$2swd
650 07 $aZeichnen.$2swd
655 7 $aGraphic novels.$2fast$0(OCoLC)fst01726630
655 4 $aComic.
655 4 $aYoung adult nonfiction.
655 7 $aGraphic novels.$2lcgft
919 4 $a31867003037244
990 $anobbc 10-06-2006
990 $anobbc 07-17-2017
905 $unoble
901 $a2391783$bIII$c2391783$tbiblio$soclc
852 4 $agaaagpl$bPANO$bPANO$cStacks 3 (in Storage)$j741.5 M13MA$gbook$p31867003037244$y22.95$t1$xnonreference$xholdable$xcirculating$xvisible$zAvailable