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MARC Record from marc_openlibraries_phillipsacademy

Record ID marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:82788180:5142
Source marc_openlibraries_phillipsacademy
Download Link /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:82788180:5142?format=raw

LEADER: 05142cam a2200469 a 4500
001 3210855
003 NOBLE
005 20120927023110.0
008 111027s2012 ilua bc 001 0 eng c
010 $a 2011942376
040 $aBTCTA$beng$cBTCTA$dERASA$dUKMGB$dYDXCP$dNGA$dBWX$dZCU$dUAT$dOCL$dSOI$dOKU$dCDX$dUKTTE$dCUD$dOSU$dNOG
016 7 $a015973685$2Uk
020 $a9780300181104
020 $a0300181108
020 $a9780933856929
020 $a093385692X
035 $a(OCoLC)759174324
042 $apcc
050 4 $aN6493 1980$b.M65 2012
082 04 $a709.048$223
049 $aNOGA
100 1 $aMolesworth, Helen Anne.
245 10 $aThis will have been :$bart, love & politics in the 1980s /$cHelen Molesworth ; [essays by Johanna Burton ... [et al.] ; contributions by Claire Grace ... [et al.]].
246 30 $aArt, love, & politics in the 1980s
246 3 $aArt, love and politics in the 1980s
260 $aChicago, IL :$bMuseum of Contemporary Art Chicago ;$aNew Haven, CT :$bIn association with Yale University Press,$c2012.
300 $a446 p. :$bill. (some col.) ;$c24 cm.
500 $aCatalog of an exhibition held at the Museum of Contemporary Art Chicago, Feb. 11-June 3, 2012, the Institute of Contemporary Art Boston, June 30-Sept. 30, 2012, and the Walker Art Center, Minneapolis, Oct. 26, 2012-Jan. 27, 2013.
504 $aIncludes bibliographical references and index.
505 00 $tThis will have been: art, love & politics in the 1980s /$rHelen Molesworth --$tThe end is near --$tUndead painting: life after life in the Eighties /$rFrazer Ward --$tDemocracy --$tWhere the streets have no name: a democracy of multiple public spheres /$rKobena Mercer --$tGender trouble --$tA few troubles with the Eighties /$rJohanna Burton --$tDesire & longing --$tHow soon is now: longing and desire inthe art of the late twentieth century /$rElisabeth Lebovici --$tA backward glance: video in the 1980s /$rBill Horrigan --$tMaking love, making art: living and dying performance in the 1980s /$rSarah Schulman.
520 $a'This will have been: art, love & politics in the 1980s' covers the period from 1979 to 1992. During this era, the political sphere was dominated by the ideas of former US President Ronald Reagan and British Prime Minister Margaret Thatcher, the music scene was transformed by punk and the birth of hip-hop, and our everyday lives were radically altered by a host of technological developments, from the Sony Walkman and the ATM to the appearance of MTV and the first personal computers. In the United States, the decade opened with an enormous anti-nuclear protest in New York's Central Park and closed with mass demonstrations against the government's slow response to the AIDS crisis. This exhibition attempts to make sense of what happened to the visual arts in the United States during this tumultuous period. The artists represented in This Will Have Been belong to the first generation of artists to grow up with a television in the home. They came of age in a culture saturated with images designed to promote desire - desire for objects, for lifestyles, for fame, for conformity, for anti-conformity. So too the majority of these artists lived through the heady days of the 1970s feminist movement and witnessed that broad-based social movement's demands for equality in all areas of life - work, family, and intimate relationships. It became the task of the 1980s to assimilate these powerful social forces - the rise of television and movements for social justice - as they converged. For many of the artists represented in this exhibition that meant grappling with complex questions: In a world increasingly filled with mass-media images, what is the role of the visual arts? How can artists make images that either compete with or counter the powerful images produced by advertising and Hollywood? In a society struggling for increased equality, how do historically marginalized people - women, people of color, and gays and lesbians - find their public voice? Toward the end of the decade, as the rise of HIV/AIDS created a growing political and medical crisis in the United States, these questions increased in urgency. This Will Have Been features a wide range of artworks, made by a diverse group of nearly one hundred artists, demonstrating the decade's moments of contentious debate, raucous dialogue, erudite opinions, and joyful expression - all in the name of an expanded idea of freedom, long the promise of democratic societies--MOCA website.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 0 $aNineteen eighties$vExhibitions.
700 1 $aBurton, Johanna.
700 1 $aGrace, Claire$q(Claire R.)
710 2 $aMuseum of Contemporary Art (Chicago, Ill.)$0(NOBLE)47206
710 2 $aInstitute of Contemporary Art (Boston, Mass.)
710 2 $aWalker Art Center.$0(NOBLE)61021
919 4 $a31867007100899
990 $aNobcw 09-27-2012
901 $a3210855$b$c3210855$tbiblio
852 4 $agaaagpl$bPANO$bPANO$cStacks 3 (in Storage)$j709.73 M74TH$gbook$p31867007100899$y25.00$xnonreference$xholdable$xcirculating$xvisible$zAvailable