| Record ID | marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:93860264:1578 |
| Source | marc_openlibraries_phillipsacademy |
| Download Link | /show-records/marc_openlibraries_phillipsacademy/PANO_FOR_IA_05072019.mrc:93860264:1578?format=raw |
LEADER: 01578cam a2200277I 4500
001 2152049
003 NOBLE
005 19860929054546.0
008 720606s1951 nyu 000 0 eng
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040 $aDLC$cWSU$dSER$dm.c.$dPAN
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050 0 $aPN83$b.B78
082 $a809
100 1 $aBrower, Reuben Arthur,$d1908-
245 14 $aThe fields of light;$ban experiment in critical reading.
260 $aNew York,$bOxford University Press,$c1951.
300 $a218 p.$c20 cm.
505 0 $aPt. 1: The discovery of design. The speaking voice (dramatic design) -- The aura around a bright clear centre (design in imagery) -- Saying one thing and meaning another (design in metaphor and irony) -- The figure of sound (design in sound) -- The sinewie thread (key designs) -- Pt. 2: In large letters. The mirror of analogy: 'The Tempest' -- Something central which permeated: Virginia Woolf and 'Mrs. Dalloway' -- The groves of Eden: design in a satire by Pope -- Light and bright and sparkling: irony and fiction in 'Pride and Prejudice' -- The twilight of the double vision: symbol and irony on 'A Passage to India' -- The flower of light: integrity of imagination.
650 0 $aReading.$0(NOBLE)13744
650 0 $aLiterature$xHistory and criticism.$0(NOBLE)9846
902 $a120229
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998 $b2$c031206$d3$e1$f-$g4
901 $a2152049$bIII$c2152049$tbiblio
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