| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run02.mrc:107006604:2867 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run02.mrc:107006604:2867?format=raw |
LEADER: 02867cam a2200433 a 4500
001 25832286
003 OCoLC
005 20151005011827.0
008 920424s1993 caua b 001 0 eng
010 $a92016317
020 $a0520079272 (alk. paper)
035 $a25832286
035 00 $iDBSRVR::LCMARC/APW-6983/ORDREC
040 $aDLC$cDLC$dDLC$dOCoLC$dUtOrBLW
050 00 $aML3838$b.M96 1993
082 00 $a780/.82$220
092 $a780.82$bZM9738
245 00 $aMusicology and difference :$bgender and sexuality in music scholarship /$cedited by Ruth A. Solie.
260 $aBerkeley :$bUniversity of California Press,$cc1993.
300 $axi, 355 p. :$bill. ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction.$tOn "difference" /$rRuth A. Solie --$gSystems of difference.$tGender and other dualities of music history /$rLeo Treitler.$tDifference and power in music /$rJohn Shepherd.$tLoving it : music and criticism in Roland Barthes /$rBarbara Engh --$gCultural contexts of difference.$tCharles Ives and gender ideology /$rJudith Tick.$gThe$tethnomusicologist as midwife /$rCarol E. Robertson.$tWomen as musicians : a question of class /$rNancy B. Reich --$gInterpretive strategies.$tMiriam sings her song : the self and the other in anthropological discourse /$rEllen Koskoff.$tLesbian fugue : Ethel Smyth's contrapuntal arts /$rElizabeth Wood.$tReading as an opera queen /$rMitchell Morris.$tSchwarze Gredel and the engendered minor mode in Mozart's operas /$rGretchen A. Wheelock --$gCritical readings.$tOpera; or, the envoicing of women /$rCarolyn Abbate.$tBritten's dream /$rPhilip Brett.$tOf women, music, and power : a model from seicento Florence /$rSuzanne G. Cusick.$tCarnaval, cross-dressing, and the woman in the mirror /$rLawrence Kramer.$tNarrative agendas in "absolute" music : identity and difference in Brahms's Third symphony /$rSusan McClary
650 0 $aGender identity in music.
650 0 $aSex in music.
650 0 $aMusic$xPsychological aspects.
650 0 $aMusicology.
700 1 $aSolie, Ruth A.
907 $a.b14967479$b11-21-18$c07-19-03
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957 00 $aOCLC reclamation of 2017-18
907 $a.b14967479$b11-29-14$c07-19-03
956 $aNo pre-reclamation 001 field existed
999 $yMARS
998 $axam$b07-01-03$cm$da$e-$feng$gcau$h0$i2
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