| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run02.mrc:186211655:1658 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run02.mrc:186211655:1658?format=raw |
LEADER: 01658cam a2200421 a 4500
001 39360683
003 OCoLC
005 20151005025051.0
008 980618s1998 caua 001 0 eng
010 $a98027188
020 $a0761513760 :$c$25.00
035 $a39360683
035 $aMARION/AFP-4244/CATALOG
040 $aDLC$cDLC$dDLC$dOCoLC$dUtOrBLW
043 $an-us---
050 00 $aPN1998.2$b.B53 1998
082 00 $a384/.8/79494/09043$221
092 $a384.8794$bB496h
100 1 $aBillingsley, Lloyd.
245 10 $aHollywood party :$bhow communism seduced the American film industry in the 1930s and 1940s /$cKenneth Lloyd Billingsley.
260 $aRocklin, CA :$bForum,$cc1998.
300 $axvii, 365 p. :$bill. ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (p. 320-342) and index.
650 0 $aScreenwriters$zCalifornia$zLos Angeles.
650 0 $aCommunism and motion pictures$zUnited States.
650 0 $aBlacklisting of entertainers$zUnited States.
650 0 $aMotion pictures$xPolitical aspects$zUnited States.
907 $a.b16657299$b12-20-18$c07-21-03
998 $axbt$b07-01-03$cm$da $e-$feng$gcau$h0$i2
957 00 $aOCLC reclamation of 2017-18
907 $a.b16657299$b12-02-14$c07-21-03
956 $aNo pre-reclamation 001 field existed
998 $axbt$b07-01-03$cm$da$e-$feng$gcau$h0$i2
999 $yMARS
945 $a384.8794 B496h$d - - $e08-29-2017 17:40$f0$g0$h10-08-17$i31223054184677$j271$0800$k - - $lxbtci$o-$p$25.00$q-$r-$s- $t0$u31$v10$w0$x1$y.i29152501$z08-07-03