| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:185198673:1679 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:185198673:1679?format=raw |
LEADER: 01679cam a2200409I 4500
001 908106
003 OCoLC
005 20151005055157.0
008 740604s1909 nyu 000 0 eng
010 $a09003317
019 $a292238$a1316004
035 $a908106
040 $aDLC$cKSU$dOCL$dXFM$dFUG$dOBE$dSFR$dUtOrBLW
049 $aSFRA
050 00 $aML1705$b.G45
092 $a782$bZG42a
100 1 $aGilman, Lawrence,$d1878-1939.
245 10 $aAspects of modern opera ;$bestimates and inquiries /$cby Lawrence Gilman.
260 $aNew York :$bJ. Lane Company; [etc., etc.],$c1909.
300 $a215 p. ;$c19 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Some of the material contained in the foregoing studies appeared originally in articles published in Harper's weekly, the North American review, and the Musician."--Note.
505 0 $aIntroductory: The Wagnerian aftermath.--A view of Puccini.--Strauss' "Salome": its art and its morals.--A perfect music-drama [Pelléas et Mélisande]
650 0 $aOpera.
907 $a.b20647542$b11-21-18$c02-14-07
998 $axam$b06-25-07$cm$da $e-$feng$gnyu$h0$i1
957 00 $aOCLC reclamation of 2017-18
907 $a.b20647542$b12-03-14$c02-14-07
956 $aPre-reclamation 001 value: ocm00908106
980 $a0207 JC
994 $aC0$bSFR
998 $axam$b06-25-07$cm$da$e-$feng$gnyu$h0$i1
999 $yMARS
998 $axam$b02-14-07$cm$da$e-$feng$gnyu$h0$i0
945 $a782 ZG42a$d - - $e - - $f0$g0$h - - $i31223055445432$j0$00$k - - $lxamsu$o-$p$0.00$q-$rp$s- $t0$u0$v0$w0$x0$y.i46756991$z02-14-07