| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:18564389:1968 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:18564389:1968?format=raw |
LEADER: 01968cam a2200493Ia 4500
001 47689767
003 OCoLC
005 20151005035838.0
008 010723s2002 nyua b 001 0 eng
010 $a2001048174
020 $a081533639X
020 $a0815336403 (pbk.) :$c$27.95
035 $a47689767
035 $aLCMARC/AZX-9865/KITTYL
037 $nSAN 213-196X
040 $aDLC$cDLC$dDLC$dOCoLC$dUtOrBLW
042 $apcc
043 $acl-----
050 00 $aML3475$b.F76 2002
082 00 $a781.64/098$221
092 $a784.4961$bZF9257
245 00 $aFrom tejano to tango :$bLatin American popular music /$cedited by Walter Aaron Clark.
260 $aNew York :$bRoutledge,$c2002.
300 $ax, 286 p. :$bill. ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $a[Perspectives on global pop]
504 $aIncludes bibliographical references and index.
500 $aSeries statement from later vol. in series.
505 0 $aPolitics and identity, Argentina and Nicaragua -- Locality and interlocality, North America and Cuba -- Globalization and mass mediation, Brazil and Peru.
650 0 $aPopular music$zLatin America$xHistory and criticism.
700 1 $aClark, Walter Aaron.
830 0 $aPerspectives on global pop.
907 $a.b18027416$b11-21-18$c07-22-03
998 $axam$b06-20-07$cm$da $e-$feng$gnyu$h0$i5
957 00 $aOCLC reclamation of 2017-18
907 $a.b18027416$b12-02-14$c07-22-03
956 $aNo pre-reclamation 001 field existed
998 $axam$b06-20-07$cm$da$e-$feng$gnyu$h0$i5
998 $a(2)xam$am2$am6$aw2$b07-01-03$cm$da$e-$feng$gnyu$h0$i5
999 $yMARS
998 $a(2)xfs$am2$am6$aw2$b07-01-03$cm$da$e-$feng$gnyu$h0$i5
945 $a784.4961 ZF9257$d - - $e02-25-2018 14:45$f0$g0$h02-28-18$i31223064268031$j501$0503$k - - $lxamci$o-$p$27.95$q-$r-$s- $t1$u17$v10$w0$x1$y.i33396371$z08-08-03