| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:209319348:4081 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:209319348:4081?format=raw |
LEADER: 04081cam a2200565Ia 4500
001 85773820
003 OCoLC
005 20151005060749.0
008 070306s2006 au abh b 000 0 eng d
019 $a150366656
020 $a3706541505 (pbk. : acid-free paper)
020 $a9783706541503 (pbk. : acid-free paper)
029 1 $aOHX$bhar075007597
035 $a85773820
035 $a(OCoLC)85773820$z(OCoLC)150366656
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050 4 $aML200.8.N48$bS38 2006
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245 00 $aSatchmo meets Amadeus /$cReinhold Wagnleitner (editor).
260 $aInnsbruck :$bStudienVerlag,$cc2006.
300 $a328 p. :$bill., facsims., map ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Transatlantica v. 2"--Cover.
504 $aIncludes bibliographical references.
505 00 $tPops meets Moze /$rJoe Muranyi --$tAmadeus and Satchmo /$rS. Frederick Starr --$tIncubating musical talent : Vienna and New Orleans /$rS. Frederick Starr --$tPolitical and civic consciousness in the Mozart's Salzburg /$rGilda Pasetzky --$tContinuity and discontinuity in Mozart's exploitation by Nazi-German and Post-war Austrian cultural policies : 1938-1945, 1945-1955 /$rOliver Rathkolb --$tJazz as non-culture : the suppression of jazz in the Third Reich /$rRainer Gstrein --$gThe$treal ambassadors /$rPenny M. Von Eschen --$tMozart and the image of Salzburg /$rRobert Hoffmann --$tFun-factory Salzburg : Sound of music, Salzburg Festival, and tourism /$rKurt Luger --$tLouis Armstrong and the image of New Orleans /$rConnie Atkinson --$tNew Orleans : an American Pompeii? /$rLawrence N. Powell --$tJazz funerals and the second line /$rBerndt Ostendorf --$tJazz in Salzburg /$rHubert Giesinger --$tRoll over Mozart : new sounds in an old music town /$rClemens Panagl --$tMinuet & blues: schnitzel & noodles : considerations of a notorious go-between /$rWolfgang Pillinger --$tClassical music, jazz, rock, pop : what's the difference? /$rAbi von Reininghaus --$tJazzin' the classics : a survey of the first 100 years /$rTom McDermott --$tMozart in New Orleans, 1800 to 1925 /$rJohn H. Baron --$gThe$tMozart effect : truths, errors, exaggerations /$rDavid Nelson --$tSatchmo and Wolfgang Amadeus Mozart on the silver screen /$rHans-Christian Gruber --$tCultural icons : 'Satchmo and "Amadeus' in the world wide web /$rErwin Giedenbacher --$gThe$tmusical geography of Louis Armstrong's second neighborhood /$rJack Stewart --$tDecember 31, 1912 /$rTad Jones --$tIs American culture jazz-shaped? African American rules of performance /$rBerndt Ostendorf --$tJazz : the classical music of globalization /$rReinhold Wagnleitner.
650 0 $aMusic$zLouisiana$zNew Orleans$xHistory and criticism.
650 0 $aMusic$zAustria$xHistory and criticism.
650 0 $aJazz$zLouisiana$zNew Orleans$xHistory and criticism.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791$xCriticism and interpretation.
600 10 $aArmstrong, Louis,$d1901-1971$xCriticism and interpretation.
700 1 $aWagnleitner, Reinhold,$d1949-
830 0 $aTransatlantica (Innsbruck, Austria) ;$vv. 2.
907 $a.b21024030$b11-21-18$c08-16-07
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957 00 $aOCLC reclamation of 2017-18
907 $a.b21024030$b04-26-12$c08-16-07
938 $aOtto Harrassowitz$bHARR$nhar075007597$c46.69 USD
938 $aYBP Library Services$bYANK$n2434916
938 $aBaker & Taylor$bBKTY$c49.95$d49.95$i3706541505$n0006841950$sactive
938 $aBaker and Taylor$bBTCP$nBK0006841950
956 $aPre-reclamation 001 value: ocm85773820
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