MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 02223cam a2200481 a 4500
001 147986887
003 OCoLC
005 20151005062159.0
008 070621s2007 nyua b 001 0deng
010 $a2007026146
015 $aGBA761543$2bnb
016 7 $a013810714$2Uk
020 $a9780231143585
020 $a0231143583
035 $a147986887
035 $a(OCoLC)147986887
040 $aDLC$cDLC$dBAKER$dBTCTA$dUKM$dYDXCP$dC#P$dIXA$dYBM$dGK8$dSFR$dUtOrBLW
043 $an-us---
049 $aSFRA
050 00 $aPN1995.62$b.D64 2007
082 00 $a791.430973$222
092 $a791.4309$bD68h
100 1 $aDoherty, Thomas Patrick.
245 10 $aHollywood's censor :$bJoseph I. Breen & the Production Code Administration /$cThomas Doherty.
260 $aNew York :$bColumbia University Press,$cc2007.
300 $ax, 427 p. :$bill. ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (p. [365]-407) and indexes.
505 0 $aPrologue: Hollywood, 1954 -- The Victorian Irishman -- Bluenoses against the screen -- Hollywood shot to pieces -- The Breen office -- Decoding classical Hollywood cinema -- Confessional -- Intermission at RKO -- At war with the Breen office -- In his sacerdotalism -- "Our semitic brethren" -- Social problems, existential dilemmas, and outsized anatomies -- Invasion of the art films -- Amending the Ten Commandments -- Not the Breen office -- Final cut: Joseph I. Breen and the auteur theory.
600 10 $aBreen, Joseph Ignatius,$d1890-1965.
650 0 $aMotion pictures$xCensorship$zUnited States$xHistory.
907 $a.b21276183$b11-21-18$c01-16-08
998 $axam$b03-27-08$cm$da $e-$feng$gnyu$h0$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b21276183$b06-15-13$c01-16-08
956 $aPre-reclamation 001 value: ocn147986887
980 $a0308 KL
998 $axam$b03-27-08$cm$da$e-$feng$gnyu$h0$i0
994 $aC0$bSFR
999 $yMARS
945 $a791.4309$bD68h$d - - $e10-26-2017 17:59$f0$g0$h11-07-17$i31223081484595$j161$0161$k - - $lxamci$o-$p$29.50$q $r $s- $t0$u11$v14$w0$x1$y.i50983660$z05-27-08