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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:250778270:3206
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:250778270:3206?format=raw

LEADER: 03206cam a2200673Ia 4500
001 70402680
003 OCoLC
005 20151005063102.0
008 070307s2006 enka b 001 0 eng
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019 $a41018028
020 $a9781844671199 (hbk.)
020 $a1844671194 (hbk.)
020 $a9781859847220 (pbk.)
020 $a1859847226 (pbk.)
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042 $alccopycat
049 $aSFRA
050 00 $aPN1994$b.R348 2006
082 04 $a791.43082$222
092 $a791.4308$bR2459
245 00 $aRed velvet seat :$bwomen's writings on the first fifty years of cinema /$cedited by Antonia Lant, with Ingrid Periz.
260 $aLondon ;$aNew York :$bVerso,$c2006.
300 $axxiv, 872 p. :$bill. ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (p. [808]-864) and indexes.
505 0 $aPart One: The red velvet seat -- Introduction -- Seeing or being seen -- Touring the audience -- Why we go to the movies -- The spectatrix -- Part Two: What was cinema? --Introduction -- Film aesthetics and the other arts -- Part Three: Cinema as power -- Introduction -- Futurology -- Captive minds -- Enlightenment without tears -- Means of control -- Part Four: The critic's hat -- Introduction -- Naming the object -- Reviewing -- The star -- Film as the national barometer -- In the shadow of war -- The limits of criticism -- Part Five: Cinema as a job -- Introduction -- A job for whom? -- The actress and adventuress -- The screenwriter -- The director -- Working in the auditorium.
650 0 $aMotion pictures.
650 0 $aMotion pictures and women.
700 1 $aLant, Antonia,$d1956-
700 1 $aPeriz, Ingrid.
907 $a.b21463785$b11-21-18$c04-17-08
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957 00 $aOCLC reclamation of 2017-18
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