| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:263279256:2665 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:263279256:2665?format=raw |
LEADER: 02665cam a2200577 a 4500
001 134992230
003 OCoLC
005 20151005063849.0
008 070522s2007 ncua b 001 0 eng
010 $a2007021235
020 $a9780822340591 (cloth : alk. paper)
020 $a0822340593 (cloth : alk. paper)
020 $a9780822340805 (pbk. : alk. paper)
020 $a0822340801 (pbk. : alk. paper)
035 $a134992230
035 $a(OCoLC)134992230
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049 $aSFRA
050 00 $aML3524$b.P43 2007
082 00 $a781.642/09$222
092 $a784.5$bZP3377s
100 1 $aPecknold, Diane.
245 14 $aThe selling sound :$bthe rise of the country music industry /$cDiane Pecknold.
260 $aDurham :$bDuke University Press,$c2007.
300 $ax, 294 p. :$bill. ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRefiguring American music
504 $aIncludes bibliographical references (p. [273]-286) and index.
505 0 $aCommercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercialism and tradition, 1958-1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961-1975.
650 0 $aCountry music$xHistory and criticism.
650 0 $aMusic trade$zUnited States.
650 0 $aCountry music$xSocial aspects.
830 0 $aRefiguring American music.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0718/2007021235.html
907 $a.b21606122$b11-21-18$c07-16-08
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