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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:98924295:2615
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run03.mrc:98924295:2615?format=raw

LEADER: 02615cam a2200493 a 4500
001 56695731
003 OCoLC
005 20151005045101.0
008 050420s2004 inuag b s001 0 eng
010 $a2005274493
015 $aGBA471586$2bnb
016 7 $a013006935$2Uk
020 $a0253217113 (pbk. : alk. paper)
035 $a56695731
040 $aDLC$cDLC$dUKM$dIUL$dSFR$dUtOrBLW
049 $aSFRA
050 00 $aML410.B4$bH28 2004
082 00 $a780/.92$222
092 $a780.8$bZB393h 2004
100 1 $aHatten, Robert S.
245 10 $aMusical meaning in Beethoven :$bmarkedness, correlation, and interpretation /$cRobert S. Hatten.
250 $a1st pbk. ed.
260 $aBloomington :$bIndiana University Press,$c2004.
300 $axvi, 349 p. :$bill., music ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusical meaning and interpretation
504 $aIncludes bibliographical references (p. 328-341) and indexes (index of concepts; index of names and works).
505 0 $aInterpretation and theory. A case study for interpretation : the third movement of Op.106 (Hammerklavier) -- Correlation, interpretation, and the markedness of oppositions -- From topic to expressive genre -- The pastoral expressive genre : the four movements of Op.101 -- The thematic level and the markedness of classical material -- Thematic markedness : the first movements of Op. 130 and Op. 131 -- Beyond the hierarchies of correlation : troping, irony, levels of discourse, and intertextuality -- Analysis and synthesis : the cavatina from Op. 130 --
505 8 $aHistorical and theoretical perspectives. From the aesthetic to the semiotic -- Further perspectives on musical meaning and cognition -- Conclusion -- Appendix. Abnegation and the new genre -- Glossary.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xCriticism and interpretation.
650 0 $aMusic$xSemiotics.
830 0 $aMusical meaning and interpretation.
907 $a.b19260726$b11-21-18$c03-16-05
998 $axam$b06-22-07$cm$da $e-$feng$ginu$h0$i1
957 00 $aOCLC reclamation of 2017-18
907 $a.b19260726$b12-03-14$c03-16-05
956 $aPre-reclamation 001 value: ocm56695731
994 $aC0$bSFR
998 $axam$b06-22-07$cm$da$e-$feng$ginu$h0$i1
999 $yMARS
998 $axam$b05-25-05$cm$da$e-$feng$ginu$h0$i0
945 $a780.8$bZB393h 2004$d04-24-2014 16:52$e05-06-2012 16:47$f1$g0$h05-31-12$i31223069345826$j321$0501$k06-06-14$lxamci$o-$p$24.95$q-$r-$sn $t0$u8$v10$w0$x0$y.i41313203$z06-30-05