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Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 03912cam a2200589Ia 4500
001 31864600
003 OCoLC
005 20151005095448.0
008 950120s1994 gw a bc 001 0deng d
019 $a31869207
020 $a3791313819
020 $a9783791313818
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049 $aSFRA
050 4 $aND497.H63$bM4 1994
082 04 $a759.2$220
082 04 $a760.092
092 $a759.2$bH659m
100 1 $aHockney, David.
245 10 $aDavid Hockney :$bpaintings /$cPaul Melia, Ulrich Luckhardt.
260 $aMunich ;$aNew York :$bPrestel-Verlag,$cc1994.
300 $a200 p. :$bill. ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (p. 198-199) and index.
505 0 $aForeword -- 1955-1962, demonstrations of versatility -- 1962-1963, a young iconoclast -- 1963-1967, images of Southern California -- 1967-1979, portraits -- 1970-1986, conversations in the studio -- 1982-1993, wider perspectives.
530 $aAlso issued online.
520 $aOne of the most widely acclaimed of all living artists, David Hockney has, in some ways, been the victim of his own popularity. Frequently interpreted as the lightweight expression of a colourful personality, his work is in fact characterized by an underlying seriousness of purpose. This emerges with particular clarity from the fresh appraisal of the artist's oeuvre offered in this book.
520 8 $aEach of the volume's six chapters, broadly chronological in sequence, is introduced by an essay that examines in depth certain aspects of Hockney's artistic practice. The complexity of his seemingly straightforward imagery is further elucidated in the commentaries accompanying each of the sixty-three carefully selected colour plates.
520 8 $aThese encompass the period from 1960 to 1993, from work produced during the artist's student days at the Royal College of Art in London to his most recent paintings, informed by his experience of designing for the stage and by his experiments with photo-collage and fax art. Included are paintings being illustrated for the first time and others that have rarely been reproduced in colour. Numerous black-and-white illustrations of related works provide important reference material.
520 8 $aAn illustrated chronology and a selected bibliography conclude this lucid, authoritative account of Hockney's development. With access to the artist's personal archives, the authors have drawn on new documentary research to dispel certain myths about Hockney's work and open up new lines of enquiry. Intended for the general reader, this book will also be of interest to all students of modern painting and to admirers of one of its most appealing exponents.
600 10 $aHockney, David$xCriticism and interpretation.
600 10 $aHockney, David$vCatalogs.
700 1 $aMelia, Paul,$d1962-
700 1 $aLuckhardt, Ulrich.
776 08 $iOnline version:$aHockney, David.$tDavid Hockney.$dMunich ; New York : Prestel-Verlag, c1994$w(OCoLC)623883037
907 $a.b25183400$b11-21-18$c04-19-12
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957 00 $aOCLC reclamation of 2017-18
907 $a.b25183400$b07-27-15$c04-19-12
938 $aBaker and Taylor$bBTCP$nbl 99007453
956 $aPre-reclamation 001 value: ocm31864600
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