MARC Record from marc_openlibraries_sanfranciscopubliclibrary

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001 797975278
003 OCoLC
005 20151005104310.0
008 120713s2012 nyua b 001 0 eng c
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019 $a785865156
020 $a9781588394736 (hc: Metropolitan Museum of Art)
020 $a1588394735 (hc: Metropolitan Museum of Art)
020 $a9780300185010 (hc: Yale University Press)
020 $a0300185014 (hc: Yale University Press)
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050 00 $aTR148$b.F56 2012
082 00 $a771$223
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100 1 $aFineman, Mia.
245 10 $aFaking it :$bmanipulated photography before Photoshop /$cMia Fineman.
260 $aNew York :$bMetropolitan Museum of Art ;$aNew Haven :$bDistributed by Yale University Press,$cc2012.
300 $axvi, 280 p. :$bill. (some col.) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aThis catalogue is published in conjunction with Faking It: Manipulated Photography before Photoshop, on view at The Metropolitan Museum of Art, New York, from October 11, 2012, through January 27, 2013; at The National Gallery of Art, Washington, D.C., from February 17 through May 5, 2013; and at The Museum of Fine Arts, Houston from June 2 through August 25, 2013.
520 $a"It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."--Publisher's website.
504 $aIncludes bibliographical references and index.
505 0 $aPicture perfect -- Artifice in the name of art -- Politics and persuasion -- Novelties and amusements -- Pictures in print -- Mind's eye -- Protoshop.
650 0 $aTrick photography$vExhibitions.
650 0 $aPhotography$xSpecial effects$vExhibitions.
650 0 $aPhotography, Handworked$vExhibitions.
710 2 $aMetropolitan Museum of Art (New York, N.Y.)
710 2 $aNational Gallery of Art (U.S.)
710 2 $aMuseum of Fine Arts, Houston.
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957 00 $aOCLC reclamation of 2017-18
907 $a.b25912331$b07-24-15$c01-07-13
938 $aBaker and Taylor$bBTCP$nBK0011090822
938 $aErasmus Boekhandel$bERAA$nNTS0000139941
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