MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 02148cam a2200505 i 4500
001 835873294
003 OCoLC
005 20151005105738.0
008 120416s2013 enkaf b 001 0 eng
010 $a2012015635
020 $a9780199913985
020 $a0199913986
035 $a835873294
035 $a(OCoLC)789149974
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dOCLCO$dERASA$dBWX$dCDX$dOCLCO$dSFR$dUtOrBLW
042 $apcc
049 $aSFRA
050 00 $aN72.S6$bV37 2013
082 00 $a701/.03$223
092 $a701.03$bV322a
100 1 $aVan Laar, Timothy.
245 10 $aArtworld prestige :$barguing cultural value /$cTimothy Van Laar and Leonard Diepeveen.
246 3 $aArt world prestige
264 1 $aOxford :$bOxford University Press,$c[2013]
300 $ax, 206 pages, [16] pages of plates :$billustrations (some col.) ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 183-195) and index.
505 0 $aWhen good art goes bad: a theory of prestige -- Eclectic practices: abstraction, figuration, and pluralism -- Cultural obituaries and the status of painting -- Signs of pleasure -- Conclusion: self-consciousness and authenticity.
650 0 $aArt and society.
650 0 $aPrestige.
650 0 $aGroup values (Sociology)
700 1 $aDiepeveen, Leonard,$d1959-
907 $a.b26165090$b11-21-18$c03-06-13
998 $axam$b04-18-13$cm$da $e-$feng$genk$h0$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b26165090$b05-07-13$c03-06-13
956 $aPre-reclamation 001 value: ocn789149974
980 $a0413 KL
998 $axam$b04-18-13$cm$da$e-$feng$genk$h0$i0
994 $aC0$bSFR
999 $yMARS
945 $a701.03$bV322a$d - - $e07-11-2018 17:52$f0$g0$h10-03-18$i31223102490076$j503$0800$k - - $lxamci$o-$p$27.95$q-$r-$s- $t0$u5$v9$w1$x0$y.i73268811$z05-03-13
945 $a701.03$bV322a$d - - $e12-15-2017 16:01$f0$g0$h01-05-18$i31223102490068$j503$0503$k - - $lxamst$o-$p$27.95$q-$r-$so $t0$u5$v6$w0$x1$y.i73268823$z05-03-13