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Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 05552cam a2200613Ia 4500
001 792971961
003 OCoLC
005 20151005113335.0
008 120502s2011 nyua b 001 0 eng d
020 $a1568363966 (pbk.)
020 $a9781568363967 (pbk.)
035 $a792971961
035 $a(OCoLC)792971961
037 $bKodansha USA Inc, C/O Oxford Univ Pr 2001 Evans rd, Cary, NC, USA, 27513, USA$nSAN 202-5892
040 $aWLU$cWLU$dMUU$dYDXCP$dBWX$dCUS$dOCLCF$dSFR$dUtOrBLW
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049 $aSFRA
050 00 $aNK9505.5$b.W3 2011
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092 $a746.6609$bW117s 2011
100 1 $aWada, Yoshiko Iwamoto,$eauthor.
245 10 $aShibori :$bthe inventive art of Japanese shaped resist dyeing : tradition, techniques, innovation /$cYoshiko Iwamoto Wada, Mary Kellogg Rice, Jane Barton.
250 $aFirst US edition.
260 $aNew York :$bKodansha USA,$c2011.
300 $a303 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPreviously pub.: 1999.
520 $a"Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity--an opportunity to let the pliancy of textiles speak in making designs and patterns. People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact, it has been expanded into a whole family of traditional resist techniques, involving first shaping the cloth by plucking, pinching, twisting, stitching, folding, pleating, and wrapping it, and then securing the shapes thus made by binding, looping, knotting, clamping, and the like. This entire family of techniques is called shibori. Designs created with shibori processes all share a softness of outline and spontaneity of effect. Spontaneity is shibori's special magic, made possible by exploiting the beauty of the fortuitous things that happen when dye enters shaped cloth. Usually it is in response to the fact that a craft is being lost that the need for preserving and documenting it arises. The motivation behind this book is no exception, but the authors have gone far beyond simple documentation. Extensive research and experimentation have led to the revival here of shibori techniques that were once well known but have now been largely forgotten in Japan. In addition to more conventional techniques, the work of contemporary fiber artists in Japan and abroad in shibori textile art and wearable art is presented, to suggest the extent of the creative innovation possible. The 104 color and 298 black-and-white plates include a photographic Gallery of Shibori Examples, based on Japan's largest collection of traditional shibori fabrics. Included also are a detailed guide to basic natural dyes used in Japan, the making and care of an indigo vat, and a list of suppliers in North America, as well as a glossary and bibliography. Now available in paperback, this full documentation of one of the world's most inventive and exciting dyeing techniques continues as a classic in the textile field."--Publisher's website.
504 $aIncludes bibliographical references (pages 296-297) and index.
505 0 $aShibori-a definition. Tradition. Techniques. Binding -- Stitching -- Folding -- Pole-wrapping -- Gallery of Shibori examples. Innovation. Changing dimensions -- The artists -- Appendices. Cloth and dyes -- Arashi notes.
650 0 $aTie-dyeing$zJapan.
650 0 $aTextile design$zJapan.
650 0 $aTie-dyeing$xTechnique.
650 0 $aResist-dyed textiles$zJapan.
700 1 $aRice, Mary Kellogg,$eauthor.
700 1 $aBarton, Jane,$eauthor.
907 $a.b26859506$b12-10-18$c10-18-13
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957 00 $aOCLC reclamation of 2017-18
907 $a.b26859506$b09-03-15$c10-18-13
938 $aYBP Library Services$bYANK$n7625930
938 $aBlackwell Book Service$bBBUS$n7625930
956 $aPre-reclamation 001 value: ocn792971961
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