Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:126549677:3750 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 03750cam a2200541 i 4500
001 858778269
003 OCoLC
005 20151005124131.0
008 130910s2014 ilua b 001 0 eng c
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035 $a858778269
037 $bUniv of Chicago Pr, Attn: John Kessler C/O Chicago Distribution Center 11030 Langley Ave, Chicago, IL, USA, 60628$nSAN 202-5280
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050 00 $aNX180.E8$bR53 2014
082 00 $a700.1$223
092 $a700.1$bR359d
100 1 $aRicco, John Paul,$eauthor.
245 14 $aThe decision between us :$bart and ethics in the time of scenes /$cJohn Paul Ricco.
264 1 $aChicago :$bUniversity of Chicago Press,$c2014.
300 $axii, 252 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Part I. Name no one -- Name no one man -- Name no one name -- Part II. Naked -- Naked sharing -- Naked image -- Part III. Neutral and unbecoming -- Neutral mourning -- Unbecoming community.
520 $aThe Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that "decision" is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death. Laying out this theory of "unbecoming community" in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the "neutral mourning" of Barthes' Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras,and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
650 0 $aArts and morals.
650 0 $aAporia.
650 0 $aArt$xPhilosophy.
650 0 $aArt$xHistory and criticism.
907 $a.b29408593$b11-21-18$c12-03-14
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957 00 $aOCLC reclamation of 2017-18
907 $a.b29408593$b03-03-15$c12-03-14
938 $aBaker and Taylor$bBTCP$nBK0013878043
956 $aPre-reclamation 001 value: ocn858778269
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