MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04663cam a2200673 i 4500
001 859579317
003 OCoLC
005 20151005125323.0
008 131003s2014 nyua bc 001 0deng c
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019 $a892578603
020 $a9780870708909 (hbk)
020 $a0870708902 (hbk)
024 8 $zMoMA 2286
035 $a859579317
035 $a(OCoLC)859579317$z(OCoLC)892578603
037 $bDistributed Art Pub Inc, C/O Perseus Distribution 193 Edwards Dr, Jackson, TN, USA, 38301$nSAN 631-760X
040 $aBTCTA$beng$erda$cBTCTA$dUKMGB$dERASA$dVVPCS$dMMX$dUKTTE$dUAB$dYDXCP$dZCU$dJPG$dCIA$dOCLCO$dOCLCA$dFDA$dOSU$dOCLCF$dSFR$dUtOrBLW
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050 4 $aN6659.C5$bA4 2014
082 04 $a759.981$223
092 $a709.2$bC5487b
100 1 $aButler, Cornelia H.,$eauthor.
245 10 $aLygia Clark :$bthe abandonment of art, 1948-1988 /$cCornelia H. Butler, Luis Pérez-Oramas ; with essays by Antonio Sergio Bessa [and 7 others].
246 30 $aAbandonment of art, 1948-1988
264 1 $aNew York :$bMuseum of Modern Art,$c[2014]
300 $a336 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition held at the Museum of Modern Art, New York, May 10-Aug. 24, 2014.
504 $aIncludes bibliographical references and index.
505 00 $tLygia Clark : a space open to time /$rCornelia H. Butler --$tLygia Clark : if you hold a stone /$rLuis Pérez-Oramas --$tLygia Clark : writing revelations, surrendering authorship /$rGeaninne Gutiérrez-Guimarães --$tWritings by Lygia Clark, 1956-1959 --$tCeci n'est pas un mur : the architecture of organic lines /$rZeuler R. M. de A. Lima --$tWritings by Lygia Clark, 1960-1963 --$tLygia Clark and the problem of art /$rBriony Fer --$tWritings by Lygia Clark, 1968-mid 1980s --$tLygia Clark : at the border of art /$rChristine Macel --$tOf hands and gloves /$rFrederico Coelho --$tAffective geometry, immanent acts : Lygia Clark and performance /$rAndré Lepecki --$tThe making of a body : Lygia Clark's Anthropophagic slobber /$rEleonora Fabião --$tWord-drool : the constructive secretions of Lygia Clark /$rAntonio Sergio Bessa.
520 $a"The Museum of Modern Art presents a major retrospective devoted to the art of Lygia Clark (Brazilian, 1920-1988), the first comprehensive exhibition in North America of her work. Lygia Clark: The Abandonment of Art, 1948-1988 comprises nearly 300 works made between the late 1940s and her death in 1988. Drawn from public and private collections, including MoMA's own, this survey is organized around three key themes: abstraction, Neo-Concretism, and the 'abandonment' of art. Each of these axes anchors a significant concept or a constellation of works that mark a definitive step in Clark's career. While Clark's legacy in Brazil is profound, this exhibition draws international attention to her work. By bringing together all parts of her radical production, the exhibition seeks to reintroduce her into current discourses of abstraction, participation, and a therapeutic art practice."
600 10 $aClark, Lygia,$d1920-1988$vExhibitions.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 0 $aArt, Brazilian$vExhibitions.
700 1 $aPérez Oramas, Luis,$d1960-$eauthor.
700 1 $aBessa, Antonio Sergio,$ewriter of added commentary.
700 12 $aClark, Lygia,$d1920-1988.$tWorks.$kSelections.
710 2 $aMuseum of Modern Art (New York, N.Y.),$ehost institution.
907 $a.b29678262$b11-21-18$c02-13-15
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957 00 $aOCLC reclamation of 2017-18
907 $a.b29678262$b07-09-15$c02-13-15
938 $aBaker and Taylor$bBTCP$nBK0013861400
938 $aErasmus Boekhandel$bERAA$nNTS0000170546
938 $aYBP Library Services$bYANK$n11201253
956 $aPre-reclamation 001 value: ocn859579317
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