Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:18486430:3629 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:18486430:3629?format=raw |
LEADER: 03629cam a2200577 i 4500
001 846541641
003 OCoLC
005 20151005114938.0
008 130703s2013 dcuac c f001 0deng
010 $a2013027022
020 $a9781938922183
020 $a1938922182
035 $a846541641
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050 00 $aND237.W93$bA4 2013
082 00 $a759.13$aB$223
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100 1 $aWyeth, Andrew,$d1917-2009.
245 10 $aAndrew Wyeth :$ba spoken self-portrait /$cselected and arranged by Richard Meryman from recorded conversations with the artist, 1964-2007.
250 $a1st edition.
264 1 $aWashington :$bNational Gallery of Art ;$aNew York :$bCo-published by D.A.P./Distributed Art Publishers, Inc.,$c[2013]
300 $a125 pages :$billustrations (chiefly color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of the exhibition "Andrew Wyeth: looking out, looking in," held at the National Gallery of Art, May 4-November 30, 2014.
505 0 $aVoices -- A strange realism -- First live, then paint -- Sunlight on a white wall -- The color of Maine -- Masks of eternity -- In the studio.
500 $aIncludes index.
520 $aRichard Meryman began an enduring friendship with Andrew Wyeth (1917-2009) while on the job as a Life magazine editor in 1964. For Meryman, this unique friendship yielded more than four decades of recorded conversations with Wyeth, his family, friends and neighbors in Wyeth's homes in Pennsylvania and Maine. Meryman notes that, whether during formal interviews, shared meals, car rides or long walks, "Wyeth applied to himself the same sensitive understandings that fueled his art. A lifelong realist who swam against the art world tide of modernism, he showed himself to be fundamentally a painter of emotion--of people and objects that somehow embodied his memories and imagination, triggering feelings inexpressible in words, but recognized by viewers." In five skillfully crafted monologues composed by Meryman around key themes in Wyeth's work, we hear the voices of not only the artist but also his subjects, neighbors, relatives and critics. The book includes reproductions of the works of art discussed by Wyeth in his own words.
600 10 $aWyeth, Andrew,$d1917-2009$vInterviews.
600 10 $aWyeth, Andrew,$d1917-2009$xFriends and associates$vInterviews.
650 0 $aPainters$zUnited States$vInterviews.
700 1 $aMeryman, Richard,$d1926-2015,$eeditor.
700 12 $aWyeth, Andrew,$d1917-2009.$tInterviews.$kSelections.
710 2 $aNational Gallery of Art (U.S.)
907 $a.b2710980x$b11-21-18$c01-22-14
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957 00 $aOCLC reclamation of 2017-18
907 $a.b2710980x$b04-29-15$c01-22-14
938 $aBaker and Taylor$bBTCP$nBK0013374816
956 $aPre-reclamation 001 value: ocn846541641
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