MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 06792cam a22006854a 4500
001 52542592
003 OCoLC
005 20151005130744.0
008 030619s2004 nyua b 001 0 eng
010 $a2003014130
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035 $a(OCoLC)52542592$z(OCoLC)52992172$z(OCoLC)55212111
037 $bTaylor & Francis, C/O Kentucky Dist Center 7625 Empire Dr, Florence, KY, USA, 41042$nSAN 213-196X
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050 00 $aML3680$b.O57 2004
082 00 $a306.4/84$221
092 $a306.484$bOL86p
100 1 $aOlson, Laura J.,$d1962-
245 10 $aPerforming Russia :$bfolk revival and Russian identity /$cLaura J. Olson.
260 $aNew York :$bRoutledgeCurzon,$c2004.
300 $aviii, 286 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBASEES/RoutledgeCurzon series on Russian and East European studies ;$v7
504 $aIncludes bibliographical references (pages 241-273) and index.
505 0 $aA Search for Origins -- Methods and Politics of Studying Folk Revival -- Performance, Culture, and Identity -- The Invention and Re-invention of Folk Music in Pre-Revolutionary Russia -- Russian Village Music-Making -- Nineteenth-Century Views of the Folk -- Late Nineteenth-Century Folklorism : Folk Motifs in High Culture -- Late Nineteenth-Century Folk Choruses -- A Unified National Style : Folklore Performance in the Soviet Context -- Soviet Views of Folklore and Rural People -- A New Definition of the Folk and Folklore -- High Culture -- Folklore as Hobby -- Resistance -- Gender -- Professional Folklore Performance during 1930s-40s -- The Folk Orchestra and the Legacy of Classical Music -- Professionalism and the Education System -- Kitsch -- Folklore "Revival" in the Post-War Period -- The Origins of the Russian Folk Revival Movement -- The Khrushchev Era and Village Prose -- Young People's Musical Culture -- The Discourse of Folklore Revival -- Criticism of Folk Music Performance -- Scholars Redefine Authenticity -- The Pokrovsky Ensemble and the Beginnings of the Folklore Revival Movement -- Artistic Dissidence -- Dissemination -- Syncretism and Collectivism [sobornost'] -- Regional Roots -- Revival and Identity after Socialism -- Folk Performance in Post-Soviet Mainstream Culture -- A Festival of Folklore Collectives of Russia -- "Folk": A Problem of Terminology -- The Mainstream in the Post-Soviet Era : What Folk Chorus Students are Taught -- The Fracturing of the Oppositional Revival Movement in the 1990s -- Authenticity -- Nationalism -- Self-Expression -- The Aesthetics of the Stage -- A Fountain of Youth: The Mythical Village -- Sexuality -- Power and Ritual: Russian Nationalism and Representations of the Folk, Orthodoxy, Imperial Russia and the Cossackry -- Folk Revival and Post-Soviet Politics -- "Oh, You, Mother Russia" : Nationalism in Song -- Nationalism and Regionalism -- Imagining the Past in Religious Ritual -- Performing Masculinity : Cossack Myth and Reality in Post-Soviet Revival Movements -- Cossacks under Soviet Power -- Cossack Revival and Russian Folk Revival -- Post-Soviet Revival and Myths of the Cossackry -- Masculinity -- Cossack Myth in Action -- Folklore Revival in Don Cossack Territory -- The Village Revives -- "The Real Village" -- Then and Now -- Village Singing and Gender -- Folklor vs. Narodnyi in the Repertoires of Village Ensembles -- Changing Policies Towards Folklore -- Creative Support of Folklore Revival in South Russia : A Case Study -- Making Memory : How Urban Intellectuals Re-invent Russian Village Traditions -- Returning Memory to the Village -- Other approaches -- Returning Ritual to the Village -- Folklore and Popular Culture.
520 1 $a"Stage performance of Russian folk music and dance has symbolized not only Russian folk culture, but Russianness itself for roughly 150 years. Performing Russia is the first book to investigate how and why intellectuals, entrepreneurs, and government policymakers have invented and reinvented Russian folk performance. Drawing upon extensive interviews with leaders, participants, officials, and villagers in nine cities and five provincial areas, Laura Olson explores Russian folk music as a negotiated site of national, local and personal identity.
520 8 $aThe book pays particular attention to the 1970s and 80s, when the anti-establishment folk revival movement became extremely popular among students and intellectuals; and the post Soviet period, when the increased availability of private funds for folklore activities and national preoccupation with self-definition have contributed to the flourishing of folk performance.
520 8 $aOlson explores the contemporary movement's links with nationalist, Cossack revival, and other political groups, as well as with aesthetic trends in the performing arts, such as avant-garde, pop, and world music. The book will be of great interest to both specialists and general readers interested in Russian Culture."--Jacket.
650 0 $aFolk music$zRussia (Federation)$xHistory and criticism.
650 0 $aFolk music$xSocial aspects$zRussia (Federation)
830 0 $aBASEES/RoutledgeCurzon series on Russian and East European studies ;$v7.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip045/2003014130.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0651/2003014130-d.html
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938 $aIngram$bINGR$n9780415326148
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938 $aTaylor & Francis$bTYFR$n041540617X
938 $aCRC Press$bCRCP$nRUT0RU27136000
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