| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:203047974:3719 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 03719cam a2200613 i 4500
001 893709342
003 OCoLC
005 20151005131230.0
008 141222t20152015cauag b 001 0 eng c
010 $a2014049385
019 $a913088393
020 $a9780520285569 (hardcover : alk. paper)
020 $a0520285565 (hardcover : alk. paper)
035 $a893709342
035 $a(OCoLC)893709342$z(OCoLC)913088393
037 $bUniv of California Pr, C/O Perseus Distribution 210 American Dr, Jackson, TN, USA, 38301$nSAN 631-760X
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050 00 $aML410.B42$bR49 2015
082 00 $a780.943/09034$223
092 $a785$bZB39rey
100 1 $aReynolds, Christopher A.,$eauthor.
245 10 $aWagner, Schumann, and the lessons of Beethoven's Ninth /$cChristopher Alan Reynolds.
264 1 $aOakland, California :$bUniversity of California Press,$c[2015]
264 4 $c©2015
300 $axiv, 212 pages :$bmusic ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 199-206) and index.
505 0 $aWagner's Faustian understanding of Beethoven's Ninth -- The impact of the Ninth on the Flying Dutchman -- Wagner, thematic dispersion, and contrary motion -- Schumann, thematic dispersion, and contrary motion -- Late Schumann, Wagner, and Bach -- Brahms's triple response to the Ninth -- Wagner and Schumann --
505 8 $aAppendix 1. Citations of Wagner's possible allusions and influences in The flying Dutchman -- Appendix 2. Contrary motion counterpoint in the first movement of Beethoven's Ninth symphony -- Appendix 3. Contrary motion counterpoint in The flying Dutchman -- Appendix 4. Contrary motion counterpoint in the fourth movement of Schumann's Second symphony -- Appendix 5. Contrary motion counterpoint in the first movement of Brahm's First symphony.
520 $a"Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher.
600 10 $aBeethoven, Ludwig van,$d1770-1827.$tSymphonies,$nno. 9, op. 125,$rD minor.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xInfluence.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xCriticism and interpretation.
600 10 $aWagner, Richard,$d1813-1883$xCriticism and interpretation.
600 10 $aSchumann, Robert,$d1810-1856$xCriticism and interpretation.
650 0 $aSymphonies$y19th century$xAnalysis, appreciation.
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