Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:209954923:3562 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:209954923:3562?format=raw |
LEADER: 03562cam a2200553 i 4500
001 894310503
003 OCoLC
005 20151005131405.0
008 141210s2015 caua bc 000 0deng
010 $a2014047923
020 $a9780300209976
020 $a0300209975
035 $a894310503
037 $bYale Univ Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumberland, RI, USA, 02864-1769, (401)6584226$nSAN 631-8126
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dBDX$dERASA$dOCLCF$dYDXCP$dOCLCO$dZCU$dCOO$dNYP$dOCLCO$dSFR$dUtOrBLW
042 $apcc
049 $aSFRA
050 00 $aND522.5.M59$bA4 2015
082 00 $a759.39$223
092 $a759.39$bM726t
245 04 $aThe paintings of Moholy-Nagy :$bthe shape of things to come /$cJoyce Tsai ; with contributions by Larry J. Feinberg ... [and three others].
264 1 $aSanta Barbara, California :$bSanta Barbara Museum of Art,$c[2015]
300 $a160 pages :$billustrations (some color) ;$c31 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Laszlo Moholy-Nagy (1895-1946) became notorious for the declarations he made about the end of painting, encouraging artists to exchange brush, pigment, and canvas for camera, film, and searchlight. Even as he made these radical claims, he painted throughout his career. The practice of painting enabled Moholy-Nagy to imagine generative relationships between art and technology, and to describe the shape future that possibilities might take. Joyce Tsai illuminates the evolution of painting's role for Moholy-Nagy through key periods in his career: at the German Bauhaus in the 1920s, in the Netherlands and the United Kingdom in the early 1930s, and as director of the New Bauhaus in Chicago in the last decade of his life. The book also includes an introduction to the history, qualities, and significance of plastic materials that Moholy-Nagy used over the course of his career, and an essay on how his project of shaping habitable space in his art and writing resonated with artists and industrial designers in the 1960s and 1970s. "--$cProvided by publisher.
500 $a"This book accompanies the exhibition The Paintings of Moholy-Nagy: The Shape of Things to Come, presented at the Santa Barbara Museum of Art, Santa Barbara, California, from July 5 to September 27, 2015."
504 $aIncludes bibliographical references.
600 10 $aMoholy-Nagy, László,$d1895-1946$vExhibitions.
600 10 $aMoholy-Nagy, László,$d1895-1946$xCriticism and interpretation.
650 0 $aArt, Modern$y20th century$vExhibitions.
650 0 $aPainting, Hungarian$y20th century$vExhibitions.
700 1 $aMoholy-Nagy, László,$d1895-1946,$eartist.
700 12 $aTsai, Joyce,$d1977-$tShape of things to come.
700 1 $aFeinberg, Larry J.,$econtributor.
710 2 $aSanta Barbara Museum of Art,$ehosting institution.
907 $a.b30160406$b11-21-18$c07-27-15
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957 00 $aOCLC reclamation of 2017-18
907 $a.b30160406$b09-16-15$c07-27-15
938 $aBaker and Taylor$bBTCP$nBK0015937804
956 $aPre-reclamation 001 value: ocn894310503
980 $a0815 KL
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