MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04563cam a2200613 a 4500
001 865516409
003 OCoLC
005 20151005115138.0
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008 120808s2012 caua b 001 0 eng c
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020 $a9781606061220
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050 00 $aN3999$b.P76 2013
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245 00 $aProvenance :$ban alternate history of art /$cedited by Gail Feigenbaum and Inge Reist.
260 $aLos Angeles :$bGetty Research Institute,$cc2012.
300 $avii, 223 p. :$bill. ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aIssues & debates
500 $a"This volume evolved from the session "Provenance: The Transformative Power," held at the 96th annual College Art Association conference in Dallas, 21 February 2008."
520 $a"This volume of essays offers new arguments regarding the significance of the social biography of art and the transformative power of ownership. It realigns the traditional art-historical paradigm that focuses on the moment of an object's origin and instead considers the longue durée of ownership. Whereas the term provenance may call to mind little more than a list of owners or the legal questions raised by competing entitlement claims, the essays in this book demonstrate that a nuanced approach recuperates important, even dramatic, aspects of the history of art. The authors present a broad perspective on provenance, investigating examples from Europe, Asia, Africa, and the Americas, and from ancient archaeology to conceptual art. They explore how stories of ownership are attached to objects, analyze important distinctions between provenance and provenience, and show how provenance can be monetized, politicized, suppressed, or otherwise instrumentalized."--Cover p. [4].
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction /$rGail Feigenbaum and Inge Reist --$gPart one. Inscribing provenance.$tManifest provenance /$rGail Feigenbaum --$tIssues of provenance in the last emperor's art collecting /$rZaixin Hong --$gPart two. The time and place of provenance.$tFrom place to place: provenience, provenance, and archaeology /$rRosemary A. Joyce --$tProvenance and value: the reception of Ancien Régime works of art under the French Revolution /$rDominique Poulot --$gPart three. Provenance and commerce.$tFrom Mariette to Joullain: provenance and value in Eighteenth-century French auction catalogs /$rSophie Raux --$tProvenance as pedigree: the marketing of British portraits in Gilded Age America /$rElizabeth A. Pergam --$gPart four. Provenance research instrumentalized.$tThe failure of provenance research in Germany /$rTilmann von Stockhausen --$tMarketing the defamed: on the contradictory use of provenances in the Third Reich /$rUwe Fleckner --$tTransfigured books: notes on some marks left by owners in books of American poetry printed from 1610 to 1820 /$rRoger E. Stoddard --$tFuture circulations: on the work of Hans Haacke and Maria Eichhorn /$rJeannine Tang --$tAfterword: The social life of provenance /$rAnne Higonnet.
650 0 $aArt$xProvenance.
700 1 $aFeigenbaum, Gail.
700 1 $aReist, Inge Jackson.
830 0 $aIssues & debates.
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