MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04966cam a2200661 a 4500
001 667610213
003 OCoLC
005 20160216153424.0
008 100928s2011 enkag bk 001 0deng
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020 $a9780521514903 (hardback)
020 $a0521514908 (hardback)
020 $a1107673208 (paperback)
020 $a9781107673205 (paperback)
035 $a667610213
035 $a(OCoLC)667610213$z(OCoLC)663441187$z(OCoLC)770624959
037 $bCambridge Univ Pr, 1120 Rte 22 East, Bridgewater, NJ, USA, 08807$nSAN 281-3769
040 $aDLC$beng$cDLC$dYDX$dERASA$dYDXCP$dCDX$dTDF$dUKM$dBWX$dRCE$dUKMGB$dMIX$dWRM$dCIA$dP4I$dBTCTA$dOCLCQ$dOCLCO$dOCLCF$dSFR$dUtOrBLW
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050 00 $aML410.B773$bG58 2011
082 00 $a780.92$222
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100 1 $aGoldman, Jonathan,$d1972-
245 14 $aThe musical language of Pierre Boulez :$bwritings and compositions /$cJonathan Goldman.
260 $aCambridge, UK ;$aNew York :$bCambridge University Press,$c©2011.
300 $axxii, 244 pages, 2 unnumbered pages of plates :$billustrations, music ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMusic since 1900
500 $aPaperback edition printed 2014 in a smaller format (24 cm.).
504 $aIncludes bibliographical references (pages 218-238), discography (pages 213-214), and index.
500 $a"Selected recordings of works studied": pages 213-214 ; "Chronological list of works and bibliography of writings classified by work": pages 215-217.
505 0 $aIntroduction. Boulez's compositional path ; Sources for theories of musical form ; Serialism as musical structuralism --
505 8 $aPart I. Form as opposition in the writings of Pierre Boulez. Writings from the first period : serialist doctrine, the open work and strategies of rhetorical displacement -- A portrait of Webern, a self-portrait of Boulez. The second cantata ; Chronology of writings on Webern and key concepts ; Webern vs. Debussy : observable correspondence or imagined encounter? ; The turn towards perception -- Form, thematicism and perceptual categories in the writings from the 1970s to the present. Lessons for all or personal incantation? ; The basic elements of musical language ; The new concepts ; Concept of form ; Lessons of Leçons --
505 8 $aPart II. Form as opposition in selected works by Pierre Boulez. Analysis by, of, in and according to Boulez. Boulezian motivations for analysing Boulez ; False or 'mutilating' analysis ; Boulez analyses The rite of spring ; Boulez for the analyst : the didactic work -- Rituel and the architecture of antiphony. Presentation ; Form ; Pitch in the répons sections ; Structure of verses -- Dérive 1 and harmonic control. Presentation ; Form ; Six harmonic fields ; Anticipations, suspensions and the recovery of classical categories ; Durations, densities and note hierarchies -- Mémoriale and polar mechanics. Presentation (Themes in Mémoriale) ; Passage from clear to veiled timbre ; Paradigmatic analysis (Polar notes; Analysis of pitch content; Durations) ; Unplugged electronics (Resonator effects; Delay/echo effects; Geometric orchestration) ; Rhythmic canons -- Anthèmes and virtual thematics. Presentation ; The virtual theme ; Discontinuities : 'characters', rhythmic canons and non-retrogradable rhythms ; Passage from Anthèmes 1 to Anthèmes 2 -- Incises and the play of recognition and surprise. Presentation ; Annunciatory opening ; Très lent sections ; A paradigmatic-syntagmatic approach to Section I, Prestissimo -- Boulezian form in theory and practice.
600 10 $aBoulez, Pierre,$d1925-2016$xCriticism and interpretation.
650 0 $aMusic$y20th century$xHistory and criticism.
830 0 $aMusic since 1900.
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938 $aErasmus Boekhandel$bERAA$nNTS0000117382
938 $aTheodore Front Musical Literature$bTFRT$nTF293290
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