| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:250691561:3445 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
| Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:250691561:3445?format=raw |
LEADER: 03445cam a2200589 i 4500
001 903284730
003 OCoLC
005 20160419125035.0
008 150223s2015 nyua b 001 0deng
010 $a2015006406
020 $a9780865653191
020 $a0865653194
035 $a903284730
037 $bHarry N Abrams Inc, C/O Hachette Book Group USA 53 State st 9th Fl, Boston, MA, USA, 02109$nSAN 200-2205
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dBDX$dBTCTA$dOCLCF$dIAD$dZLM$dZCU$dLMR$dNZHPC$dOCLCO$dDEBSZ$dSFR$dUtOrBLW
042 $apcc
043 $an-us---
049 $aSFRA
050 00 $aND237.B215$bW55 2015
082 00 $a759.13$223
092 $a759.13$bB1445w
100 1 $aWilliams, Jay$q(James H.),$eauthor.
245 10 $aJohn Baeder's Road Well Taken /$cJay Williams.
246 3 $aRoad well taken
264 1 $aNew York :$bVendome Press,$c2015.
300 $a271 pages :$billustrations (come color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aA new beginning; or, boot camp for the art world -- High art on the low road -- Diner consciousness and deeper consciousness -- Back down south -- The still lifes: an inner road trip -- Continuing archaeology -- Taking wing on a higher road.
520 $aA fascinating trip through the evocative remnants of a vanishing America, this book is also a portrait of an artist who has captured the nostalgic essence of what's been lost. In 1972, John Baeder (b. 1938) left a career on Madison Avenue to become a full-time painter, gambling his livelihood on art dealer Ivan Karp's evaluation of his first four canvases: a diner, a motel, a gas station, a tourist camp. Based on color postcards in his growing collection of roadside memorabilia, they launched a career that put him at the forefront of the growing photorealist movement. Baeder's paintings, particularly of classic diners, were an immediate success, and he scoured the country for prime examples to document before they disappeared. Here, Jay Williams recounts the inside story of Baeder's multifaceted career. With more than 300 illustrations of his highly collectible paintings, watercolors, vintage photographs, printed ephemera, and three-dimensional memorabilia, this is an artist's journey, traveled along the back highways of the United States.
600 10 $aBaeder, John$xCriticism and interpretation.
650 0 $aPhoto-realism$zUnited States.
650 0 $aDiners (Restaurants) in art.
650 0 $aAmericana in art.
650 0 $aArchitecture in art.
650 0 $aPhotography, Artistic.
650 0 $aRoadside architecture$zUnited States$vPictorial works.
700 1 $aBaeder, John.
907 $a.b31057329$b11-21-18$c11-04-15
998 $axam$b01-13-16$cm$da $e-$feng$gnyu$h0$i0
957 00 $aOCLC reclamation of 2017-18
907 $a.b31057329$b02-03-16$c11-04-15
938 $aBaker and Taylor$bBTCP$nBK0016519702
956 $aPre-reclamation 001 value: ocn903284730
980 $a0116 KL
998 $axam$b01-13-16$cm$da$e-$feng$gnyu$h0$i0
994 $aC0$bSFR
999 $yMARS
945 $a759.13$bB1445w$d - - $e01-02-2018 12:59$f0$g0$h01-22-18$i31223114352421$j503$0999$k - - $lxamci$o-$p$45.00$q-$r-$s- $t0$u6$v5$w0$x1$y.i84844747$z02-03-16