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LEADER: 03634cam a2200637 a 4500
001 948834724
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008 030806s2004 inua b 001 0deng
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037 $bIndiana Univ Pr, C/O Ingram Pub Services 1 Ingram Blvd, LA Vergne, TN, USA, 37086$nSAN 631-8630
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050 00 $aPN2688.M33$bR45 2004
082 00 $a791.43/028/092$222
092 $a791.4302$bM395r
100 1 $aReich, Jacqueline,$d1965-
245 10 $aBeyond the Latin lover :$bMarcello Mastroianni, masculinity, and Italian cinema /$cJacqueline Reich.
260 $aBloomington :$bIndiana University Press,$c[2004]
300 $axvi, 224 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 201-216) and index.
505 0 $a1. In the beginning: Mastroianni, masculinity, and Italian cinema -- 2. Undressing the Latin lover: La dolce vita, fashion, and Italian masculinity -- 3. Masculinity, Sicilian style: Il bell'Antonio and divorce, Italian style -- 4. "Remember, it's a comedy": Mastroianni in the films of Federico Fellini -- 5. The inetto versus the unruly woman: Mastroianni and Sophia Loren -- 6. Remembrance of films past: Mastroianni and the aging male body.
520 $aMarcello Mastroianni is considered by many to be the consummate symbol of Italian masculinity. In this work, Jacqueline Reich goes behind the popular image to reveal a figure at odds with and out of place in the unstable political, social and sexual climate of post-war Italy.
600 10 $aMastroianni, Marcello,$d1924-1996$xCriticism and interpretation.
650 0 $aLatin lovers in motion pictures.
650 0 $aMasculinity in motion pictures.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/ecip047/2003017465.html
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