| Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:27929798:2460 |
| Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 02460cam a2200517 a 4500
001 796278171
003 OCoLC
005 20151005115524.0
008 121024s2012 enka b 001 0 eng c
010 $a2012518864
020 $a9781408182109 (hbk.)
020 $a1408182106 (hbk.)
035 $a796278171
035 $a(OCoLC)796278171$z(OCoLC)819861334
037 $aBRO-copy20140318-117
040 $aUKMGB$beng$cUKMGB$dDLC$dOCLCO$dERASA$dYDXCP$dYNK$dCDX$dFXM$dSTF$dBWX$dCHVBK$dOCLCF$dLHU$dSFR$dUtOrBLW
042 $apcc
043 $ae-uk-en
049 $aSFRA
050 00 $aN1100$b.S28 2012
082 04 $a708.21$223
092 $a708.21$bSa86c
100 1 $aSaumarez Smith, Charles.
245 14 $aThe company of artists :$bthe origins of the Royal Academy of Arts in London /$cCharles Saumarez Smith.
246 30 $aOrigins of the Royal Academy of Arts in London
260 $aLondon :$bModern Art Press in association with Bloomsbury,$c2012.
300 $a192 p. :$bcol. ill.. ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (p. 181-183) and index.
520 $aAn elegant and often amusing day-by-day account of these events and the two years that followed, The Company of Artists reveals the opposing models of a continental and a British art academy that divided leading artists of the day. As he explores their attempts to outmanoeuvre their fellows and win the support of King George III, Charles Saumarez Smith brings to life the characters involved and shows how they shaped the new Royal Academy of Arts, thereby changing the practice and perception of art in Britain for good."--pub. desc.
610 20 $aRoyal Academy of Arts (Great Britain)
610 20 $aRoyal Academy of Arts (Great Britain)$xHistory.
650 0 $aArt$zEngland$zLondon$xHistory.
907 $a.b27258385$b11-21-18$c02-20-14
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957 00 $aOCLC reclamation of 2017-18
907 $a.b27258385$b03-18-14$c02-20-14
956 $aPre-reclamation 001 value: ocn796278171
975 $aSFR
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