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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:302664810:4280
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:302664810:4280?format=raw

LEADER: 04280cam a2200589 i 4500
001 922155538
003 OCoLC
005 20160719083707.0
008 151030s2016 enkag b 001 0 eng
010 $a2015038165
020 $a9781137454201$q(hardback)
020 $a1137454202$q(hardback)
035 $a922155538
035 $a(OCoLC)922155538
037 $bPalgrave Macmillan, C/O Springer 233 Spring st, New York, NY, USA, 10013, (212)4601500$nSAN 203-2228
040 $aDLC$beng$erda$cSTF$dDLC$dYDXCP$dBDX$dBTCTA$dOCLCF$dCDX$dOCLCO$dCOO$dZCU$dSFR$dUtOrBLW
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050 00 $aPN1995.9.H55$bD83 2016
082 00 $a791.43/6526642$223
092 $a791.4365$bD853i
100 1 $aDubowsky, Jack Curtis,$eauthor.
245 10 $aIntersecting film, music, and queerness /$cJack Curtis Dubowsky.
264 1 $aHoundmills, Basingstoke, Hampshire ;$aNew York, NY :$bPalgrave Macmillan,$c2016.
300 $aviii, 266 pages :$billustrations, music ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPalgrave studies in audio-visual culture
504 $aIncludes bibliographical references (pages 238-255) and index.
505 0 $aPART I: Mad About The Boy: Male Homosexuality and Music in Film -- 1. Louisiana Story, Homoeroticism, and Americana -- 2. Musical Cachet in The Living End and the New Queer Cinema -- 3. Brokeback Mountain Music -- PART II: Fighting the Patriarchy: Dykes, Misogyny, and Gender Fear -- 4. A Tale of Two Walters: Genre and Gender Outsiders -- 5. Mainstreaming and Rebelling -- PART III: Queering of Genre -- 6. Queer Monster Good: Frankenstein and Edward Scissorhands -- 7. Blazing Saddles: Music and Meaning in 'The French Mistake'.
520 $a"Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how queer readings are reinforced or nuanced through analysis of musical score. Taking a broad approach to queerness that questions heteronormative and homonormative patriarchal structures, binary relationships, gender assumptions and anxieties, this book challenges existing interpretations of what is progressive and what is retrogressive in cinema. Examined films include Bride of Frankenstein, Louisiana Story, Rudolph the Red-Nosed Reindeer, Blazing Saddles, Edward Scissorhands, Brokeback Mountain, Boys Don't Cry, Transamerica, Thelma & Louise, Go Fish and The Living End, with special attention given to films that subvert or complicate genre. Music is analyzed with concern for composition, intertextual references, absolute musical structures, song lyrics, recording, arrangement, and performance issues. This multidisciplinary work, featuring groundbreaking research, analysis, and theory, offers new close readings and a model for future scholarship"--$cProvided by publisher.
650 0 $aHomosexuality in motion pictures.
650 0 $aHomosexuality and motion pictures.
650 0 $aMotion picture music$xHistory and criticism.
830 0 $aPalgrave studies in audio-visual culture.
907 $a.b32103098$b11-21-18$c03-11-16
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957 00 $aOCLC reclamation of 2017-18
907 $a.b32103098$b07-02-16$c03-11-16
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938 $aBaker and Taylor$bBTCP$nBK0017824300
938 $aYBP Library Services$bYANK$n12612198
938 $aCoutts Information Services$bCOUT$n32773910
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