MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 05531cam a2200685 i 4500
001 939994854
003 OCoLC
005 20170321092455.0
008 160628s2016 nyua b 000 0 eng
010 $a2016017891
020 $a9781681370446
020 $a1681370441
035 $a939994854
035 $a(OCoLC)939994854
037 $bRandom House Inc, Attn Order Entry 400 Hahn rd, Westminster, MD, USA, 21157$nSAN 201-3975
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100 1 $aBresson, Robert,$eauthor.
240 10 $aBresson par Bresson.$lEnglish
245 10 $aBresson on Bresson :$binterviews, 1943-1983 /$cRobert Bresson ; edited by Mylène Bresson ; translated from the French by Anna Moschovakis ; preface by Pascale Mérigeau.
264 1 $aNew York :$bNew York Review Books,$c[2016]
300 $axv, 285 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPascale Mérigeau should be spelled Pascal.
504 $aIncludes bibliographical references.
546 $aTranslated from French.
505 0 $aPreface -- Public affairs, 1934 : Prelude -- Angels of sin, 1943 : It takes an auteur ; Jean Giraudoux -- Les dames du Bois de Boulogne, 1945 : Scandals and shocks ; Interiority leads the way ; Jean Cocteau ; The Festival du Film Maudit -- Diary of a country priest, 1951 : Between these two worlds ; It's the impossibility that attracts me ; To see and to hear ; As I would write a poem -- A man escaped, 1956 : The wind blows where it wants to ; A new means of expression -- Pickpocket, 1959 : A film made of hands, objects, and glances ; A film's rhythm should be like the beating of a heart ; To capture only what is real ; To get to the mystery ; Poetry and truth are sisters -- The trial of Joan of Arc, 1962 : This familiarity with the palpably supernatural ; I know of nothing more atrocious or more poignant ; It's what the film wanted ; Emotion should be our only guide ; Joan of Arc was beautiful, elegant, approachable, modern ; To make her real, to bring her close ; If you want the current to flow, you have to strip the wires -- Adaptation : Aspects of dramatic creation -- Au hasard Balthazar, 1966 : A donkey in all its purity, its tranquility, its serenity, its sanctity ; The freest film I've made, the one to which I've given the most of myself ; To create life without copying it ; The beaten path -- Mouchette, 1967 : More in the manner of portraitists ; Something else I like in Bernanos: his supernatural is constructed from the real ; Looks that kill -- The sound track : The ear is far more creative than the eye -- A gentle woman, 1969 : The confrontation between death and life ; I am here, the other is elsewhere, and the silence is terrible -- Four nights of a dreamer, 1972 : Art is not a luxury, but a vital need ; Between blue and brown ; I look for surprises -- Lancelot of the Lake, 1974 : To bring the past into the present ; It was Lancelot's very particular inner adventure that I found striking ; Torn between fidelity and felony ; The sound of iron ; The Grail -- Notes on the cinematograph, 1975 : You strip your art naked -- The devil, probably, 1977 : The adversary ; The gaps are where the poetry slips in -- L'argent, 1983 : O money, visible god! ; The cinema is immense. We haven't done a thing.
600 10 $aBresson, Robert$vInterviews.
650 0 $aMotion picture producers and directors$zFrance$vInterviews.
700 1 $aBresson, Mylène,$eeditor.
700 1 $aMoschovakis, Anna,$etranslator.
700 1 $aMérigeau, Pascal,$ewriter of added commentary.
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