MARC Record from marc_openlibraries_sanfranciscopubliclibrary

LEADER: 04581cam a2200649 i 4500
001 946482541
003 OCoLC
005 20170530093755.0
008 161011s2017 caua bc 000 0 eng
010 $a2016046596
019 $a946463310
020 $a9783791355689$q(hardcover)
020 $a3791355686$q(hardcover)
035 $a946482541
035 $a(OCoLC)946482541$z(OCoLC)946463310
037 $bPrestel Pub, C/O Innovative Logistics 406 Wyckoff Mills rd E, East Windsor, NJ, USA, 08520, (732)3634511$nSAN 631-7758
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082 00 $a709.2$223
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100 1 $aEllegood, Anne,$eauthor.
245 10 $aJimmie Durham :$bat the center of the world /$cAnne Ellegood.
246 3 $aAt the center of the world
264 1 $aLos Angeles :$bHammer Museum, University of California ;$aMunich :$bDelMonico Books/Prestel,$c2017.
300 $a318 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
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337 $aunmediated$bn$2rdamedia
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500 $aPublished on the occasion of the exhibition held at the Hammer Museum, Los Angeles, Jan 29-May7, 2017 ; Walker Art Center, Minneapolis, June 22 - October 8, 2017 ; Whitney Museum of American Art, New York, November 3, 2017 - January 28, 2018 ; Remai Modern, Saskatoon, April - July, 2018.
500 $a"Published in conjunction with the first North American survey of the work of Jimmie Durham, this beautifully illustrated catalogue explores Durham's vital contributions to contemporary art since the 1970s, both in the US and internationally. Born of Cherokee descent, in 1940s Arkansas, Jimmie Durham takes up such issues as the politics of representation, histories of genocide, and citizenship and exile. This volume collects an array of Durham's sculptures, drawings, photography, video, and performance. It includes essays about Durham's material choices and their metaphoric potential; his participation in the NYC art scene in the 1980s; his use of language; and his ties to Mexico after living in Cuernavaca. An interview with Durham traces his involvement with the American Indian Movement and his self-exile from the US, which along with his essays and poetry, illuminate his life and work. This book provides an opportunity to gain a deeper understanding of Durham, arguably one of the most important artists working today"-- Provided by publisher.
504 $aIncludes bibliographical references (pages 315-317).
505 00 $tJimmie Durham :$tpost-American /$rAnne Ellegood --$tJimmie Durham :$tself-portrait /$rElisabeth Sussman --$tJimmie Durham's stones and bones /$rJessica L. Horton --$tRadio free Europe /$rPaul Chaat Smith --$t"I'm still sitting at the table" :$tthe Cuernavaca years /$rJessica Berlanga Taylor --$tSome irruptions and incoherences for Jimmie Durham /$rFred Moten --$tCategorical refusal :$tunwinding the wound /$rJennifer A. González --$tA conversation /$rJimmie Durham and Anne Ellegood --$tSelected chronology /$rMacKenzie Stevens --$gTexts /$rby Jimmie Durham.
600 10 $aDurham, Jimmie$vExhibitions.
650 0 $aArtists$zUnited States$y20th century$vCatalogs.
650 0 $aIndian sculptors$zUnited States$y20th century$vCatalogs.
700 1 $aDurham, Jimmie,$eartist.
710 2 $aHammer Museum,$eorganizer,$ehost institution.
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938 $aOtto Harrassowitz$bHARR$nhar165018279
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