Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:44769797:3312 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
Download Link | /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:44769797:3312?format=raw |
LEADER: 03312cam a22005294a 4500
001 710816440
003 OCoLC
005 20151005120409.0
008 110330s2012 njua b s001 0 eng
010 $a2011012787
020 $a9780813551852
020 $a0813551854
020 $a9780813551869 (pbk.)
020 $a0813551862 (pbk.)
035 $a710816440
037 $bRutgers Univ Pr, C/O Longleaf Services Inc Po Box 8895, Chapel Hill, NC, USA, 27515-8895$nSAN 203-3151
040 $aDLC$beng$cDLC$dYDX$dYDXCP$dNYP$dBWX$dBDX$dDEBBG$dE7B$dERASA$dA7U$dSTF$dOCLCF$dSFR$dUtOrBLW
042 $apcc
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050 00 $aPN1995.9.T43$bP75 2012
082 00 $a778.5/3$222
092 $a778.53$bP9356d
100 1 $aPrince, Stephen,$d1955-
245 10 $aDigital visual effects in cinema :$bthe seduction of reality /$cStephen Prince.
260 $aNew Brunswick, NJ :$bRutgers University Press,$cc2012.
300 $aix, 256 p. :$bill. ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : beyond spectacle -- Through the looking glass -- Painting with digital light -- Actors and algorithms -- Digital environment creation -- Immersive aesthetics -- Conclusion : the pleasures of illusion.
520 $aAvatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects-driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.
650 0 $aMotion picture industry$xTechnological innovations.
650 0 $aMotion pictures$xAesthetics.
650 0 $aDigital cinematography.
650 0 $aCinematography$xSpecial effects.
650 0 $aCinematography$xTechnological innovations.
907 $a.b27372790$b11-21-18$c04-02-14
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957 00 $aOCLC reclamation of 2017-18
907 $a.b27372790$b02-22-15$c04-02-14
956 $aPre-reclamation 001 value: ocn710816440
980 $a0514 KL
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994 $aC0$bSFR
999 $yMARS
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