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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:459271430:3547
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:459271430:3547?format=raw

LEADER: 03547cam a2200565 a 4500
001 ocn657602907
003 OCoLC
005 20170718124211.0
008 110125t20112011nyuab b 001 0 eng
010 $a2011003536
016 7 $a015830561$2Uk
020 $a9781441101518$q(hardcover : alk. paper)
020 $a1441101519$q(hardcover : alk. paper)
020 $a9781441144294$q(paperback)
020 $a1441144293$q(paperback)
035 $a(OCoLC)657602907
037 $bBloomsbury USA Academic, C/O Mps 16365 James Madison Hwy, Gordonsville, VA, USA, 22942, (540)6727600$nSAN 631-5011
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dBWX$dUKMGB$dBDX$dITJCU$dRRP$dOCLCA$dOCLCF$dOCLCQ$dGBVCP$dOCLCQ$dNGRPY$dSFR$dUtOrBLW
043 $anwjm---
049 $aSFRA
050 00 $aML3532$b.H47 2011
082 00 $a781.646097292$222
092 $a781.7729$bH3952s
100 1 $aHenriques, Julian.
245 10 $aSonic bodies :$breggae sound systems, performance techniques, and ways of knowing /$cby Julian Henriques.
260 $aNew York :$bContinuum,$c[2011]
264 4 $c©2011
300 $axxxvi, 352 pages :$billustrations, map ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 317-348) and index.
520 $aBreaking new ground in the field of sound studies, this book provides an in-depth study of the culture and physicality of dancehall reggae music.
505 0 $aPreamble. Thinking through sound. The time and place of sounding ; Body of sound ; Body of thought ; The argument of Sonic bodies -- Introduction. Practising and theorising sounding -- The dancehall scene. Jamaican auditory culture ; Three wavebands of sounding ; Three-fold relationships ; Theoretical context -- Sound systems. Instruments ; Media ; Techniques --
505 8 $aThe audio engineer and the material waveband. Fine-tuning. Audio engineering ; Manipulating ; Monitoring ; Evaluating -- Learning to listen. Learning to engineer ; Apprenticeship tradition ; A research methodology of listening ; Sonic engineering --
505 8 $aThe selector and the corporeal waveband. Juggling. The selector's role and function in the session ; Skilled performance techniques -- Cut, mix 'n' rewind. Cut and splice ; Mixing ; Rewind and repetition --
505 8 $aThe MC and the sociocultural waveband. Voicing. The MC's role in the session ; Lyrical techniques ; Performance tropes ; Personality -- Rhetoric and the logic of practice. An ancient art of communication ; Ways of knowing ; Situatedness; The logic of practice ; Measure and value -- Conclusion. The sonic logos. Know-what and know-how ; Sounding a critique ; Logos as ratio, proportion and patterning ; Triangulation -- Last word: Dubwise.
650 0 $aDancehall (Music)$zJamaica$xHistory and criticism.
650 0 $aReggae music$zJamaica$xHistory and criticism.
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938 $aBrodart$bBROD$n12811858$c$90.00
938 $aBaker and Taylor$bBTCP$nBK0009201253
938 $aYBP Library Services$bYANK$n3630912
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994 $aC0$bSFR
999 $yMARS
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