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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:477824564:5833
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:477824564:5833?format=raw

LEADER: 05833cam a2200793Ii 4500
001 ocn975371537
003 OCoLC
005 20170718124315.0
008 170130s20172017enkac g bc 001 0 eng d
010 $a2016364160
019 $a973793214
020 $a9781910350430$q(hardback)
020 $a1910350435$q(hardback)
020 $a9781910350447$q(paperback)
020 $a1910350443$q(paperback)
035 $a(OCoLC)975371537$z(OCoLC)973793214
037 $bDistributed Art Pub Inc, C/O Perseus Distribution 210 American Dr, Jackson, TN, USA, 38301$nSAN 631-760X
040 $aLUNQA$beng$erda$cLUNQA$dDLC$dLND$dYDX$dOCLCF$dEUM$dOCLCO$dBRL$dAZU$dMUU$dOCL$dORU$dBOS$dJPG$dGUA$dOCL$dERD$dIUL$dSFR$dUtOrBLW
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049 $aSFRA
050 00 $aN6988.5.A83$bR48 2017
080 $aLON-ROY
082 04 $a709.47$223
092 $a709.47$bR3284
245 00 $aRevolution :$bRussian art 1917-1932 /$cartistic director, Tim Marlow ; exhibition curators, John Milner, Natalia Murray, Ann Dumas, assisted by Rebecca Bray ; exhibition catalogue, Beatrice Gullström, Alison Hissey, Carola Krueger, Peter Sawbridge, Nick Tite ; translation from the Russian, Ruth Addison, Antonina Bouis.
264 1 $aLondon, England :$bRoyal Academy of Arts,$c[2017]
264 2 $aNew York :$bDistributed in the United States and Canada by Harry N. Abrams
300 $a326 pages :$billustrations (some color), portraits (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished to accompany an exhibition held at the Royal Academy of Arts, London, 11 February-17 April 2017.
500 $aIncludes index with biographies of artists by Lauren Warner.
504 $aIncludes bibliographical references (page 318) and index.
505 00 $tIntroduction /$rJohn Milner --$t'The new world of the mass man' /$rNatalia Murray --$tSoviet art in review : 'fifteen years of artists of the Russian Soviet Republic' in Leningrad, 1932 /$rMasha Chlenova --$tThe 'most important art'? : Soviet film-making in the 1920s /$rIan Christie --$tChronology /$rNatalia and Nicholas Murray --$g1.$tSalute the leader. Creating the Soviet myth / drNatalia Murray --$g2.$tMan and machine. Mechanisation takes command /$rJohn Milner --$g3.$tBrave new world. Constructors of the future in search of the new /$rZelfira Tregulova and Faina Balakhovskaya --$g4.$tCultural heroes. Heroes of the past living in the future /$rNatalia Murray --$g5.$tKazimir Malevich. Kazimir Malevich /$rJohn MIlner --$g6.$tFate of the peasants. Farming and famine /$rJohn Milner --$g7.$tEternal Russia. Echoes of orthodoxy /$rNicoletta Misler --$g8.$tNew city, new society. The life of artists in 1920s Russia /$rEvgenia Petrova ;$tBuilding for socialism /$rChristina Lodder --$g9.$tKuzma Petrov-Vodkin. The active gaze /$rJohn E. Bowlt --$g10.$tStalin's utopia. Soviet sports and games as propaganda /$rMike O'Mahony.
518 $o"Revolution: Russian Art, 1917-1932" :$dFebruary 11-April 17, 2017,$pRoyal Academy of Arts, London, England, United Kingdom.
520 8 $a'Revolution: Russian Art, 1917-1932' encapsulates a momentous period in Russian history that is vividly expressed in the diversity of art produced between 1917, the year of the October Revolution, and 1932 when Stalin began to suppress the avant-garde and its debates. Based around the great exhibition of 1932 held at the State Russian Museum in Leningrad, the book explores the fascinating themes and artistic developments of the first fifteen years of the Soviet state, including painting, sculpture, ceramics, posters, graphics and film. The exhibition itself was to be the swansong of avant-garde art in Russia: new policies quickly ensured that Socialist Realism - collective in production, public in manifestation and Communist in ideology - was to become the only acceptable art form. This volume is a timely and authoritative exploration of how modern art in all its forms flourished, was recognised, celebrated, and broken by implacable authority all within fifteen years.
650 0 $aAvant-garde (Aesthetics)$zSoviet Union$vExhibitions.
650 0 $aArt, Soviet$vExhibitions.
650 0 $aSocialist realism in art$vExhibitions.
651 0 $aSoviet Union$xCivilization$vExhibitions.
700 1 $aMarlow, Tim,$d1963-$econtributor.
700 1 $aMilner, John,$d1946-$eorganizer.
700 1 $aMurray, Natalia,$eorganizer.
700 1 $aDumas, Ann,$eorganizer.
700 1 $aBray, Rebecca,$eorganizer.
700 1 $aGullström, Beatrice,$eeditor.
700 1 $aHissey, Alison,$eeditor.
700 1 $aKrueger, Carola,$eeditor.
700 1 $aSawbridge, Peter,$eeditor.
700 1 $aTite, Nick,$eeditor.
700 1 $aAddison, Ruth,$etranslator.
700 1 $aBouis, Antonina W.,$etranslator.
710 2 $aRoyal Academy of Arts (Great Britain),$ehost institution,$epublisher,$eissuing body.
752 $aUnited Kingdom$bEngland$dLondon.
907 $a.b34052471$b11-04-18$c05-15-17
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