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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:91491854:3484
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:91491854:3484?format=raw

LEADER: 03484cam a2200553 i 4500
001 871228149
003 OCoLC
005 20151005122819.0
008 140228s2014 njua 000 0 eng
010 $a2013050410
020 $a9780691162706 (hardcover : acid-free paper)
020 $a0691162700 (hardcover : acid-free paper)
035 $a871228149
035 $a(OCoLC)871228149
037 $aBRO-copy20141010-054
040 $aDLC$erda$beng$cDLC$dYDX$dYDXCP$dBDX$dBTCTA$dOCLCF$dPUL$dUOK$dUKMGB$dSFR$dUtOrBLW
042 $apcc
049 $aSFRA
050 00 $aPS3610.O617$bS76 2014
082 00 $a814/.6$223
092 $a814.6$bJ7116s
100 1 $aJones, Bill T.,$eauthor.
245 10 $aStory/Time :$bthe life of an idea /$cBill T. Jones.
246 3 $aStorytime
246 3 $aStory time
264 1 $aPrinceton, New Jersey :$bPrinceton University Press,$c[2014]
300 $ax, 107 pages :$billustrations (some color) ;$c20 x 27 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe Toni Morrison lecture series
520 $aIn this ceaselessly questioning book, acclaimed African American dancer, choreographer, and director Bill T. Jones reflects on his art and life as he describes the genesis of Story/Time, a recent dance work produced by his company and inspired by the modernist composer and performer John Cage. Presenting personally revealing stories, richly illustrated with striking color photographs of the work's original stage production, and featuring a beautiful, large-format design, the book is a work of art in itself. Like the dance work, Story/Time the book is filled with telling vignettes--about Jones's childhood as part of a large, poor, Southern family that migrated to upstate New York; about his struggles to find a place for himself in a white-dominated dance world; and about his encounters with notable artists and musicians. In particular, Jones examines his ambivalent attraction to avant-garde modernism, which he finds liberating but also limiting in its disregard for audience response. As he strives to make his work more personal and broadly engaging, especially to an elusive African American audience, Jones--who is still drawn to the avant-garde--wrestles with questions of how an artist can remain true to himself while still caring about the popular reception of his work.
600 10 $aJones, Bill T.
650 0 $aLiterature, Experimental.
650 0 $aAfrican American dancers.
830 0 $aToni Morrison lecture series.
907 $a.b29148923$b11-14-18$c09-02-14
998 $axgl$a(5)xgc$b10-10-14$cm$da $e-$feng$gnju$h0$i6
957 00 $aOCLC reclamation of 2017-18
907 $a.b29148923$b04-23-15$c09-02-14
956 $aPre-reclamation 001 value: ocn871228149
975 $aSFR
980 $a1014
998 $axgl$a(5)xgc$b10-10-14$cm$da$e-$feng$gnju$h0$i6
994 $aC0$bSFR
999 $yMARS
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