MARC Record from marc_openlibraries_sanfranciscopubliclibrary

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001 on1013528886
003 OCoLC
005 20180515100310.0
008 171113s2018 caua bc 001 0 eng
010 $a2017054110
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020 $a9780300234022$qhardcover
020 $a0300234023$qhardcover
035 $a(OCoLC)1013528886$z(OCoLC)1002658649$z(OCoLC)1005714460
037 $bYale Univ Pr, C/O Triliteral Llc 100 Maple Ridge Dr, Cumberland, RI, USA, 02864-1769, (401)6584226$nSAN 631-8126
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050 00 $aN6512.5.P67$bC85 2018
082 00 $a701/.03$223
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245 00 $aCult of the machine :$bprecisionism and American art /$cEmma Acker, with Sue Canterbury, Adrian Daub, and Lauren Palmor.
264 1 $aSan Francisco :$bthe Fine Arts Museums of San Francisco - de Young, in association with Yale University Press,$c[2018]
300 $a243 pages :$billustrations (some color) ;$c30 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"A fresh look at a bold and dynamic 20th-century American art style<BR /><BR /> Characterized by highly structured, geometric compositions with smooth surfaces, linear qualities, and lucid forms, Precisionism fully emerged after World War I and flourished in the 1920s and 1930s. This insightful publication, featuring more than 100 masterworks by artists such as Charles Sheeler, Georgia O'Keeffe, and Charles Demuth, sheds new light on the Precisionistaesthetic and the intellectual concerns, excitement, tensions, and ambivalences about industrialization that helped develop this important strand of early American modernism.<BR /> <BR /> Essays explore the origins of the style--which reconciled realism with abstraction and adapted European art movements like Purism, Cubism, and Futurism to American subject matter--as well as its relationship to photography, and the ways in which it reflected the economic and social changes brought about by industrialization and technology in the post-World War I world. In addition to making a meaningful contribution to the resurging interest in Modernism and its revisionist narratives, this book offers copious connections between the past and our present day, poised on the verge of a fourth industrial revolution"--$cProvided by publisher.
500 $aIssued in connection with an exhibition held Mar. 24-Aug. 12, 2018, de Young Museum, San Francisco, California, and Sept. 16, 2018-Jan. 1, 2019, Dallas Museum of Art, Dallas, Texas.
504 $aIncludes bibliographical references and index.
505 0 $aEngineers of an American art : Precisionism in the machine age / Emma Acker -- The absence of presence in the precisionist city / Sue Canterbury -- Confronting the colossus : two artists face the steel mill / Lauren Palmor -- 'No ideas but in things' : Precisionism and the scandal of modernity / Adrian Daub -- Catalogue of the exhibition -- Timeline : American art, technology, and industry, 1910-1950.
650 0 $aPrecisionism$vExhibitions.
650 0 $aArt and industry$zUnited States$xHistory$y20th century$vExhibitions.
650 0 $aArt and society$zUnited States$xHistory$y20th century$vExhibitions.
700 1 $aAcker, Emma,$econtributor.
700 1 $aCanterbury, Sue,$econtributor.
700 1 $aDaub, Adrian,$econtributor.
700 1 $aPalmor, Lauren,$econtributor.
710 2 $aM.H. de Young Memorial Museum,$ehost institution.
710 2 $aDallas Museum of Art,$ehost institution.
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938 $aBaker and Taylor$bBTCP$nBK0021481170
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