MARC Record from marc_openlibraries_sanfranciscopubliclibrary

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035 $a(OCoLC)706022745$z(OCoLC)966375813$z(OCoLC)966381854
037 $bTaylor & Francis, C/O Kentucky Dist Center 7625 Empire Dr, Florence, KY, USA, 41042, (212)2167899$nSAN 213-196X
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050 00 $aML3556$b.I87 2017
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245 00 $aIssues in African American music :$bpower, gender, race, representation /$cedited by Portia K. Maultsby and Mellonee V. Burnim.
264 1 $aNew York :$bRoutledge, Taylor & Francis Group,$c2017.
264 4 $c©2017
300 $axiv, 418 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $aIssues in African American music : power, gender, race, representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American music : an introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.--Amazon.com.
505 00 $tPerforming blues and navigating race in transcultural contexts /$rSusan Oehler Herrick --$tNew bottle, old wine : whither jazz studies? /$rTravis A. Jackson --$tThe politics of race erasure in defining black popular music origins /$rPortia K. Maultsby --$tNegotiating blackness in western art music /$rOlly Wilson --$tCrossing musical borders : agency and process in the gospel music industry /$rMellonee V. Burnim --$tIndustrializing African American popular music /$rReebee Garofalo --$tThe Motown legacy : homegrown sound, mass appeal /$rCharles E. Sykes --$tStax Records and the impulse toward integration /$rRob Bowman --$tUptown sound, downtown bound : Philadelphia International Records /$rJohn A. Jackson --$t"And the beat goes on" : SOLAR, the Sound Of Los Angeles Records /$rScot Brown --$tTyscot Records : gospel music production as ministry /$rTyron Cooper --$tVoices of women in gospel : resisting representations /$rMellonee V. Burnim --$tAre all the choir directors gay? : black men's sexuality and identity in gospel performance /$tAlisha Lola Jones --$tWomen in blues : transgressing boundaries /$rDaphne Duval Harrison --$tJazz history remix : black women from "enter" to "center" /$rSherrie Tucker --$tThe reception of blackness in "women's music" /$rEileen M. Hayes --$tAfrican American women and the dynamics of gender, race, and genre in rock 'n' roll /$rMaureen Mahon --$t"Ain't nuthin' but a she thing" : women in hip hop /$rCheryl L. Keyes --$tThe Antebellum period : communal coherence and individual expression /$rLawrence W. Levine --$tThe Civil Rights Period : music as an agent of social change /$rBernice Johnson Reagon --$tThe post-civil rights period : the politics of musical creativity /$rMark Anthony Neal.
650 0 $aAfrican Americans$xMusic$xHistory and criticism.
650 0 $aAfrican American musicians.
650 0 $aMusic$xAfrican American influences.
700 1 $aMaultsby, Portia K.,$eeditor.
700 1 $aBurnim, Mellonee V.$q(Mellonee Victoria),$d1950-$eeditor.
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938 $aTheodore Front Musical Literature$bTFRT$nTF350273
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