Record ID | marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run06.mrc:128684872:5055 |
Source | marc_openlibraries_sanfranciscopubliclibrary |
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LEADER: 05055cam a2200565Ii 4500
001 on1013737468
003 OCoLC
005 20180430035542.0
008 171203t20182018nyuac e b 001 0 eng d
020 $a0231187785$q(hardcover)
020 $a9780231187787$q(hardcover)
035 $a(OCoLC)1013737468
037 $aBRO-adap20180430-084
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050 4 $aPN1993.5.U6$bD53 2018
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100 1 $aDoherty, Thomas Patrick,$eauthor.
245 10 $aShow trial :$bHollywood, HUAC, and the birth of the blacklist /$cThomas Doherty.
264 1 $aNew York :$bColumbia University Press,$c[2018]
264 4 $c©2018
300 $axiv, 406 pages :$bblack and white illustrations, portraits ;$c24 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aFilm and culture
504 $aIncludes bibliographic references (pages 355-389) and index.
505 00 $gPart I, Backstories.$tHow the popular front became unpopular ;$tHollywood's war record ;$tThe preservation of American ideals ;$tThe magic of a Hollywood dateline ;$tSmearing Hollywood with the brush of communism --$gPart II, On location in Washington.$tShowtime ;$tLovefest ;$tFriendlies, cooperative and uncooperative ;$tHollywood's finest ;$tDoldrums ;$tCrashing Page 1 ;$tContempt ;$t$64 questions and no answers ;$tJewish questions ;$tThe curtain drops --$gPart III, Backfire.$tThe Waldorf and other declarations ;$tBlacklists and casualty lists ;$tNot only victims.
520 $a"In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the door--or had it shut in their faces. In Show Trial, Thomas Doherty takes us behind the scenes at the first full-on media-political spectacle of the postwar era, a courtroom drama starring glamorous actors, colorful moguls, on-the-make congressmen, high-priced lawyers, single-minded investigators, and recalcitrant screenwriters, all recorded by newsreel cameras and broadcast over radio. Doherty explores the deep background to the hearings and details the theatrical elements of a proceeding that bridged the realms of entertainment and politics. He tells the story of the Hollywood Ten and the other witnesses, friendly and unfriendly, who testified; tracks the flight path of the Committee for the First Amendment, the delegation from Hollywood that descended on Washington to protest the hearings; and chronicles the implementation of the postwar blacklist. Show Trial is a rich, character-driven inquiry into how the HUAC hearings ignited the anti-Communist crackdown in Hollywood, providing a gripping new cultural history of one of the most influential events of the postwar era"--Publisher's description.
610 10 $aUnited States.$bCongress.$bHouse.$bCommittee on Un-American Activities.
650 0 $aMotion picture industry$xPolitical aspects$zUnited States$xHistory$y20th century.
650 0 $aMotion picture producers and directors$xPolitical activity$zUnited States$xHistory$y20th century.
650 0 $aMotion picture actors and actresses$xPolitical activity$zUnited States$xHistory$y20th century.
830 0 $aFilm and culture.
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